About
Elliot Davis
Overview
Elliot Davis is an American cinematographer. Davis graduated from Virginia Tech with a Bachelor of Arts in Architecture and a Master of Fine Arts in Film from UCLA. Davis feels his tenure as an architect carries over into his shooting style.
Known for
Directing |
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| 1992 | Memphis | Directing | Director | N/A N/A |
Camera |
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| 2022 | Hocus Pocus 2 | Camera | Director of Photography | 69 Fair |
| 2020 | The Comey Rule | Camera | Director of Photography | 69 Fair |
| 2020 | Uncorked | Camera | Camera Operator | 59 Average |
| 2020 | Uncorked | Camera | Director of Photography | 59 Average |
| 2019 | Above Suspicion | Camera | Director of Photography | 58 Average |
| 2018 | Dumplin' | Camera | Director of Photography | 65 Fair |
| 2016 | The Birth of a Nation | Camera | Director of Photography | 62 Fair |
| 2015 | Love the Coopers | Camera | Director of Photography | 59 Average |
| 2015 | Miss You Already | Camera | Director of Photography | 67 Fair |
| 2015 | The Runner | Camera | Director of Photography | 56 Average |
| 2013 | Louder Than Words | Camera | Director of Photography | 58 Average |
| 2013 | Man of Tai Chi | Camera | Director of Photography | 60 Fair |
| 2011 | The Iron Lady | Camera | Director of Photography | 62 Fair |
| 2011 | Hide Away | Camera | Director of Photography | 58 Average |
| 2009 | Personal Effects | Camera | Director of Photography | 58 Average |
| 2008 | Twilight | Camera | Director of Photography | 62 Fair |
| 2008 | Surfer, Dude | Camera | Director of Photography | 56 Average |
| 2006 | The Nativity Story | Camera | Director of Photography | 62 Fair |
| 2005 | Lords of Dogtown | Camera | Director of Photography | 66 Fair |
| 2004 | A Love Song for Bobby Long | Camera | Director of Photography | 62 Fair |
| 2003 | Thirteen | Camera | Director of Photography | 64 Fair |
| 2003 | Legally Blonde 2: Red, White & Blonde | Camera | Director of Photography | 57 Average |
| 2002 | White Oleander | Camera | Director of Photography | 64 Fair |
| 2002 | 40 Days and 40 Nights | Camera | Director of Photography | 56 Average |
| 2001 | I Am Sam | Camera | Director of Photography | 72 Good |
| 2001 | Happy Campers | Camera | Director of Photography | 58 Average |
| 2000 | The Next Best Thing | Camera | Director of Photography | 57 Average |
| 1999 | Light It Up | Camera | Director of Photography | 59 Average |
| 1999 | Forces of Nature | Camera | Director of Photography | 56 Average |
| 1999 | Breakfast of Champions | Camera | Director of Photography | 57 Average |
| 1998 | Finding Graceland | Camera | Director of Photography | 58 Average |
| 1998 | Out of Sight | Camera | Director of Photography | 64 Fair |
| 1997 | Lawn Dogs | Camera | Director of Photography | 61 Fair |
| 1996 | Get on the Bus | Camera | Director of Photography | 59 Average |
| 1996 | Gray's Anatomy | Camera | Director of Photography | 59 Average |
| 1996 | Larger Than Life | Camera | Director of Photography | 58 Average |
| 1996 | Nightjohn | Camera | Director of Photography | 58 Average |
| 1995 | Things to Do in Denver When You're Dead | Camera | Director of Photography | 61 Fair |
| 1995 | The Underneath | Camera | Director of Photography | 58 Average |
| 1994 | The Glass Shield | Camera | Director of Photography | 58 Average |
| 1994 | Mr. Write | Camera | Director of Photography | 58 Average |
| 1993 | Mother's Boys | Camera | Director of Photography | 58 Average |
| 1993 | King of the Hill | Camera | Director of Photography | 61 Fair |
| 1992 | Equinox | Camera | Director of Photography | 58 Average |
| 1992 | The Cutting Edge | Camera | Director of Photography | 64 Fair |
| 1992 | Memphis | Camera | Director of Photography | N/A N/A |
| 1991 | Shakes the Clown | Camera | Director of Photography | 58 Average |
| 1991 | Mortal Thoughts | Camera | Director of Photography | 58 Average |
| 1990 | Bright Angel | Camera | Director of Photography | 58 Average |
| 1990 | Love at Large | Camera | Director of Photography | 58 Average |
| 1989 | Bloodhounds of Broadway | Camera | Director of Photography | 58 Average |
| 1989 | Signs of Life | Camera | Director of Photography | 58 Average |
| 1988 | Miles from Home | Camera | Director of Photography | 58 Average |
| 1988 | 1969 | Camera | Additional Photography | 58 Average |
| 1987 | Mayflower Madam | Camera | Director of Photography | 58 Average |
| 1987 | Summer Heat | Camera | Director of Photography | 58 Average |
| 1986 | Vamp | Camera | Director of Photography | 58 Average |
| 1986 | 8 Million Ways to Die | Camera | Camera Operator | 58 Average |
| 1985 | St. Elmo's Fire | Camera | Camera Operator | 60 Fair |
| 1985 | Tuff Turf | Camera | Camera Operator | 58 Average |
| 1984 | Ernie Kovacs: Between the Laughter | Camera | Camera Operator | N/A N/A |
| 1983 | Return Engagement | Camera | Camera Operator | 59 Average |
| 1981 | Broken English | Camera | Director of Photography | 59 Average |
| 1979 | The Onion Field | Camera | Camera Operator | 59 Average |
Crew |
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| 2022 | Gigi & Nate | Crew | Cinematography | 62 Fair |
| 1975 | Harvest: 3,000 Years | Crew | Cinematography | 59 Average |