About
Hellmuth Costard
Overview
No biography available
Known for
Acting |
||||
1999 | The Critical Mass | Actor | Himself | N/A N/A |
1978 | Little Godard | Actor | The Applicant | N/A N/A |
1970 | Percy McPhee - Agent des Grauens (6. + 7. Folge) | Actor | N/A N/A |
|
1969 | Die Postkarte | Actor | N/A N/A |
|
1968 | Of Special Merit | Actor | 58 Average |
|
1968 | Der warme Punkt | Actor | N/A N/A |
|
1968 | Chronicle of Anna Magdalena Bach | Actor | Rector Ernesti | 59 Average |
Directing |
||||
1994 | Aufstand der Dinge | Directing | Director | N/A N/A |
1983 | Realtime | Directing | Director | 59 Average |
1978 | Little Godard | Directing | Director | N/A N/A |
1972 | Teilweise von mir - Ein Volksstück | Directing | Director | N/A N/A |
1971 | Football As Never Before | Directing | Director | 59 Average |
1969 | The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves | Directing | Director | 58 Average |
1969 | Die Postkarte | Directing | Director | N/A N/A |
1969 | Von der Revolte zur Revolution oder Warum die Revolution erst morgen stattfindet | Directing | Director | N/A N/A |
1968 | Of Special Merit | Directing | Director | 58 Average |
1967 | Why Did You Kiss Me Awake? | Directing | Director | 59 Average |
1966 | Klammer auf Klammer zu | Directing | Director | N/A N/A |
1965 | Tom ist doof | Directing | Director | N/A N/A |
1964 | ASTA-Spot | Directing | Director | N/A N/A |
Writing |
||||
1994 | Aufstand der Dinge | Writing | Writer | N/A N/A |
1983 | Realtime | Writing | Writer | 59 Average |
1978 | Little Godard | Writing | Writer | N/A N/A |
1969 | The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves | Writing | Writer | 58 Average |
1968 | Of Special Merit | Writing | Writer | 58 Average |
1966 | Klammer auf Klammer zu | Writing | Writer | N/A N/A |
1965 | Tom ist doof | Writing | Writer | N/A N/A |
1964 | ASTA-Spot | Writing | Writer | N/A N/A |
Production |
||||
1994 | Aufstand der Dinge | Production | Producer | N/A N/A |
1983 | Realtime | Production | Producer | 59 Average |
1978 | Little Godard | Production | Producer | N/A N/A |
1969 | The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves | Production | Producer | 58 Average |
1969 | Die Postkarte | Production | Producer | N/A N/A |
1966 | Klammer auf Klammer zu | Production | Producer | N/A N/A |
Sound |
||||
1969 | The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves | Sound | Sound | 58 Average |
1969 | The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves | Sound | Music | 58 Average |
Crew |
||||
1983 | Realtime | Crew | Cinematography | 59 Average |
1969 | The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves | Crew | Cinematography | 58 Average |
Editing |
||||
1983 | Realtime | Editing | Editor | 59 Average |
1969 | Die Postkarte | Editing | Editor | N/A N/A |
1966 | Klammer auf Klammer zu | Editing | Editor | N/A N/A |