About
Matt S. Bell
Overview
Matt S. Bell started his career as a stills photographer, winning a number of awards and quickly gaining a reputation for his unique cinematic work. After completing a Paris-based residency program in 2011, Bell made the transition into motion pictures. He has photographed numerous feature films, commercials, and music videos.
Known for
Directing |
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| 2014 | Vamped | Directing | Director | N/A N/A |
Camera |
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| 2022 | A New Orleans Noel | Camera | Director of Photography | 59 Average |
| 2022 | My Southern Family Christmas | Camera | Director of Photography | 59 Average |
| 2022 | To Her, With Love | Camera | Director of Photography | 59 Average |
| 2022 | The Requin | Camera | Director of Photography | 54 Average |
| 2020 | Bound by Law | Camera | Director of Photography | 59 Average |
| 2019 | Christmas in Louisiana | Camera | Director of Photography | 59 Average |
| 2018 | The Christmas Contract | Camera | Director of Photography | 59 Average |
| 2018 | Santa Jaws | Camera | Director of Photography | 58 Average |
| 2018 | Did I Kill My Mother? | Camera | Director of Photography | 58 Average |
| 2017 | Mississippi River Sharks | Camera | Director of Photography | 58 Average |
| 2017 | Dream House Nightmare | Camera | Steadicam Operator | 58 Average |
| 2017 | A Deadly Affair | Camera | Camera Operator | 59 Average |
| 2017 | Nanny Seduction | Camera | Camera Operator | 58 Average |
| 2016 | Ozark Sharks | Camera | Director of Photography | 57 Average |
| 2015 | The Parallax Theory | Camera | Director of Photography | N/A N/A |
| 2015 | Zombie Shark | Camera | Director of Photography | 57 Average |
Crew |
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| 2022 | Phony | Crew | Cinematography | 58 Average |
| 2018 | Samantha | Crew | Cinematography | 59 Average |