About
Marissa Littlefield
Overview
No biography available
Known for
Sound |
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2022 | After Yang | Sound | ADR Editor | 61 Fair |
2021 | Mayday | Sound | ADR Editor | 58 Average |
2019 | Motherless Brooklyn | Sound | Sound Editor | 64 Fair |
2017 | Gifted | Sound | ADR Editor | 78 Good |
2016 | Silence | Sound | ADR Editor | 69 Fair |
2016 | The Whole Truth | Sound | ADR Editor | 63 Fair |
2015 | Spotlight | Sound | ADR Editor | 77 Good |
2014 | Learning to Drive | Sound | ADR Editor | 59 Average |
2014 | Effie Gray | Sound | ADR Editor | 58 Average |
2013 | The Wolf of Wall Street | Sound | Supervising ADR Editor | 79 Good |
2011 | Hugo | Sound | Supervising ADR Editor | 70 Good |
2010 | Twelve | Sound | ADR Editor | 58 Average |
2010 | Greenberg | Sound | ADR Editor | 58 Average |
2010 | Shutter Island | Sound | Supervising ADR Editor | 81 Very good |
2009 | Carriers | Sound | ADR Editor | 60 Fair |
2008 | Be Kind Rewind | Sound | Supervising ADR Editor | 61 Fair |
2007 | The Nanny Diaries | Sound | ADR Editor | 62 Fair |
2006 | The Departed | Sound | ADR Supervisor | 80 Very good |
2006 | Inside Man | Sound | ADR Editor | 72 Good |
2005 | Robots | Sound | Dialogue Editor | 64 Fair |
2004 | The Aviator | Sound | Supervising ADR Editor | 71 Good |
2004 | Eternal Sunshine of the Spotless Mind | Sound | ADR Editor | 80 Very good |
2002 | 25th Hour | Sound | ADR Editor | 70 Good |
2002 | Ice Age | Sound | ADR Editor | 73 Good |
2001 | The Score | Sound | Supervising ADR Editor | 65 Fair |
2001 | Y Tu Mamá También | Sound | ADR Editor | 70 Good |
1999 | The Cider House Rules | Sound | ADR Editor | 66 Fair |
1999 | Sleepy Hollow | Sound | ADR Editor | 71 Good |
1999 | Bringing Out the Dead | Sound | ADR Editor | 63 Fair |
1999 | Bowfinger | Sound | Supervising ADR Editor | 60 Fair |
1998 | The Object of My Affection | Sound | ADR Editor | 58 Average |
1997 | Men in Black | Sound | Supervising ADR Editor | 71 Good |
1997 | The Ice Storm | Sound | ADR Editor | 64 Fair |
1994 | Imaginary Crimes | Sound | ADR Editor | 59 Average |
1994 | Crooklyn | Sound | ADR Editor | 60 Fair |
1993 | For Love or Money | Sound | ADR Editor | 60 Fair |
1993 | The Pelican Brief | Sound | Dialogue Editor | 64 Fair |
1992 | Malcolm X | Sound | ADR Editor | 71 Good |
1991 | Cape Fear | Sound | Dialogue Editor | 71 Good |
1991 | Barton Fink | Sound | Sound Editor | 71 Good |
1991 | The Silence of the Lambs | Sound | Dialogue Editor | 82 Very good |
1990 | Miller's Crossing | Sound | Dialogue Editor | 71 Good |
1990 | GoodFellas | Sound | Dialogue Editor | 84 Very good |
1990 | The Local Stigmatic | Sound | Assistant Sound Editor | 58 Average |
1989 | An Innocent Man | Sound | Assistant Sound Editor | 59 Average |
1989 | Penn & Teller Get Killed | Sound | Assistant Sound Editor | 58 Average |
1989 | Do the Right Thing | Sound | Assistant Sound Editor | 72 Good |
1987 | Matewan | Sound | Assistant Sound Editor | 61 Fair |
1985 | After Hours | Sound | Assistant Sound Editor | 70 Good |
Editing |
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1991 | Mississippi Masala | Editing | First Assistant Editor | 59 Average |