About
Mika Taanila
Overview
Mika Taanila is a filmmaker and visual artist based in Helsinki. His films have been screened at several
international film festivals such as TIFF Toronto, IFFR Rotterdam, Berlinale, CPH:DOX, Clermont-Ferrand, Karlovy-Vary, Midnight Sun Film Festival, IDFA Amsterdam and Kurzfilmtage Oberhausen. Taanila’s moving image installations have been shown at major international group shows, such as Venice Biennale (2017), Aichi Triennale (2013), Documenta (2012), Shanghai Biennale (2006) and Berlin Biennale (2004). Solo shows include Padiglione de l’Esprit Nouveau, Bologna (2020), STUK, Leuven (2018), Kiasma, Helsinki (2013–14), CAM, St. Louis (2013), Badischer Kunstverein (2008) and Migrosmuseum, Zurich (2005). In 2015 Taanila was awarded The Ars Fennica prize.
Known for
Directing |
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2024 | Failed Emptiness | Directing | Director | N/A N/A |
2023 | Monica in the South Seas | Directing | Director | 59 Average |
2023 | Failed Emptiness. Place | Directing | Director | 59 Average |
2022 | Verbranntes land | Directing | Director | N/A N/A |
2021 | Failed Emptiness. Time | Directing | Director | N/A N/A |
2020 | Patent Nr. 314805 | Directing | Director | N/A N/A |
2020 | Vanishing | Directing | Director | N/A N/A |
2017 | The World | Directing | Director | N/A N/A |
2017 | Sad Song of the Hard-Edge Transition Wipe Markers | Directing | Director | N/A N/A |
2017 | Delay of Game | Directing | Director | N/A N/A |
2017 | Branches | Directing | Director | N/A N/A |
2016 | Tectonic Plate | Directing | Director | 59 Average |
2015 | Return of the Atom | Directing | Director | 59 Average |
2013 | My Silence | Directing | Director | N/A N/A |
2013 | Six Day Run | Directing | Director | N/A N/A |
2013 | Spindrift | Directing | Director | N/A N/A |
2011 | 60 Seconds of Solitude in Year Zero | Directing | Director | 58 Average |
2011 | Man and Science | Directing | Director | N/A N/A |
2006 | The Zone of Total Eclipse | Directing | Director | 59 Average |
2006 | Sommerreise | Directing | Director | N/A N/A |
2005 | Optical Sound | Directing | Director | 59 Average |
2002 | The Future Is Not What It Used to Be | Directing | Director | 59 Average |
2002 | A Physical Ring | Directing | Director | 59 Average |
2000 | RoboCup99 | Directing | Director | 59 Average |
1998 | Futuro – A New Stance for Tomorrow | Directing | Director | 58 Average |
1995 | A City Symphony | Directing | Director | N/A N/A |
1995 | Bad Vugum – From B To V | Directing | Director | 59 Average |
1995 | Suolaista ja makeaa | Directing | Assistant Director | 58 Average |
1984 | Hermaphrodites | Directing | Director | N/A N/A |
Writing |
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2023 | Monica in the South Seas | Writing | Screenplay | 59 Average |
2020 | Patent Nr. 314805 | Writing | Writer | N/A N/A |
2017 | Delay of Game | Writing | Screenplay | N/A N/A |
2002 | The Future Is Not What It Used to Be | Writing | Writer | 59 Average |
2000 | RoboCup99 | Writing | Screenplay | 59 Average |
1998 | Futuro – A New Stance for Tomorrow | Writing | Screenplay | 58 Average |
Production |
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2024 | Failed Emptiness | Production | Producer | N/A N/A |
2018 | Flame | Production | Producer | 59 Average |
2017 | The World | Production | Producer | N/A N/A |
2006 | Sommerreise | Production | Producer | N/A N/A |
D is for Distance | Production | Producer | N/A N/A |
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Sound |
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2017 | Delay of Game | Sound | Music | N/A N/A |
Crew |
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2017 | The World | Crew | Script | N/A N/A |
2017 | Sad Song of the Hard-Edge Transition Wipe Markers | Crew | Cinematography | N/A N/A |
2017 | Delay of Game | Crew | Cinematography | N/A N/A |
2006 | Sommerreise | Crew | Cinematography | N/A N/A |
Editing |
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2024 | Failed Emptiness | Editing | Editor | N/A N/A |
2023 | Monica in the South Seas | Editing | Editor | 59 Average |
2019 | Realms | Editing | Editor | 59 Average |
2017 | The World | Editing | Editor | N/A N/A |
2007 | The Pests | Editing | Editor | N/A N/A |
2002 | The Future Is Not What It Used to Be | Editing | Editor | 59 Average |