About
Elliot Goldenthal
Overview
Elliot Goldenthal (born May 2, 1954) is an American composer of contemporary classical music. He was a student of Aaron Copland and John Corigliano, and is best known for his distinctive style and ability to blend various musical styles and techniques in original and inventive ways. He is also a film-music composer, and won the Academy Award for Best Original Score in 2002 for his score to the motion picture Frida, directed by his long-time partner Julie Taymor.
Known for
Acting |
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| 2017 | Score: A Film Music Documentary | Actor | Self | 61 Fair |
| 2017 | Unearthed & Untold: The Path to Pet Sematary | Actor | Self | 59 Average |
| 2007 | Lights, Action, Music | Actor | Self | 59 Average |
| 2003 | Wreckage and Rage: Making 'Alien³' | Actor | Self | 59 Average |
Sound |
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| 2020 | The Glorias | Sound | Original Music Composer | 59 Average |
| 2017 | Our Souls at Night | Sound | Original Music Composer | 62 Fair |
| 2014 | A Midsummer Night's Dream | Sound | Music | 59 Average |
| 2010 | The Tempest | Sound | Original Music Composer | 58 Average |
| 2009 | Public Enemies | Sound | Original Music Composer | 66 Fair |
| 2007 | Across the Universe | Sound | Orchestrator | 67 Fair |
| 2007 | Across the Universe | Sound | Music | 67 Fair |
| 2007 | Forest | Sound | Music | 59 Average |
| 2005 | The Making of 'Heat' | Sound | Music | 59 Average |
| 2003 | Wreckage and Rage: Making 'Alien³' | Sound | Original Music Composer | 59 Average |
| 2003 | S.W.A.T. | Sound | Original Music Composer | 61 Fair |
| 2003 | The Good Thief | Sound | Original Music Composer | 59 Average |
| 2002 | Frida | Sound | Original Music Composer | 70 Good |
| 2001 | Final Fantasy: The Spirits Within | Sound | Original Music Composer | 61 Fair |
| 1999 | Titus | Sound | Original Music Composer | 61 Fair |
| 1999 | In Dreams | Sound | Orchestrator | 57 Average |
| 1999 | In Dreams | Sound | Original Music Composer | 57 Average |
| 1998 | The Butcher Boy | Sound | Original Music Composer | 60 Fair |
| 1998 | Sphere | Sound | Original Music Composer | 60 Fair |
| 1997 | Batman & Robin | Sound | Original Music Composer | 45 Bad |
| 1996 | Michael Collins | Sound | Original Music Composer | 63 Fair |
| 1996 | A Time to Kill | Sound | Original Music Composer | 71 Good |
| 1995 | Heat | Sound | Original Music Composer | 77 Good |
| 1995 | Heat | Sound | Orchestrator | 77 Good |
| 1995 | Voices | Sound | Original Music Composer | 58 Average |
| 1995 | Batman Forever | Sound | Original Music Composer | 54 Average |
| 1994 | Cobb | Sound | Original Music Composer | 59 Average |
| 1994 | Interview with the Vampire | Sound | Original Music Composer | 72 Good |
| 1994 | Roswell | Sound | Original Music Composer | 59 Average |
| 1994 | Golden Gate | Sound | Original Music Composer | 58 Average |
| 1993 | Demolition Man | Sound | Original Music Composer | 66 Fair |
| 1992 | Alien³ | Sound | Original Music Composer | 63 Fair |
| 1992 | Fool's Fire | Sound | Original Music Composer | 58 Average |
| 1991 | Grand Isle | Sound | Original Music Composer | 58 Average |
| 1990 | Criminal Justice | Sound | Original Music Composer | 59 Average |
| 1989 | Drugstore Cowboy | Sound | Original Music Composer | 65 Fair |
| 1989 | Pet Sematary | Sound | Original Music Composer | 64 Fair |
| 1980 | Blank Generation | Sound | Conductor | 58 Average |
| 1980 | Blank Generation | Sound | Music | 58 Average |
| 1979 | Cocaine Cowboys | Sound | Original Music Composer | 58 Average |