About
Robert D. Yeoman
Overview
Robert David Yeoman, ASC (born March 10, 1951) is an American cinematographer, best known for his collaborations with directors Wes Anderson and Paul Feig. He was nominated for an Academy Award and a BAFTA Award for The Grand Budapest Hotel (2014), and has won numerous other awards including an Independent Spirit Award.
Known for
Acting |
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| 2022 | The Making of: The French Dispatch | Actor | Self | N/A N/A |
| 2015 | Exploring the Set of 'Moonrise Kingdom' | Actor | Self / Director of Photography | 58 Average |
| 2008 | The Making of 'Bottle Rocket' | Actor | Self | 59 Average |
| 2005 | This Is an Adventure | Actor | Self | 59 Average |
| 2005 | Matthew Gray Gubler's Life Aquatic Intern Journal | Actor | Self | 59 Average |
| 2005 | On the Set: 'The Life Aquatic with Steve Zissou' | Actor | Self | 59 Average |
| 2001 | With the Filmmaker: Wes Anderson | Actor | Self | 59 Average |
| 2000 | The Making of 'Rushmore' | Actor | Self | 58 Average |
Camera |
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| 2024 | The Wonderful Story of Henry Sugar and Three More | Camera | Director of Photography | 61 Fair |
| 2023 | Poison | Camera | Director of Photography | 63 Fair |
| 2023 | The Rat Catcher | Camera | Director of Photography | 61 Fair |
| 2023 | The Wonderful Story of Henry Sugar | Camera | Director of Photography | 67 Fair |
| 2023 | Asteroid City | Camera | Director of Photography | 63 Fair |
| 2021 | The French Dispatch | Camera | Director of Photography | 68 Fair |
| 2018 | Mamma Mia! Here We Go Again | Camera | Director of Photography | 69 Fair |
| 2017 | Sky Ladder: The Art of Cai Guo-Qiang | Camera | Director of Photography | 59 Average |
| 2016 | Ghostbusters | Camera | Director of Photography | 53 Average |
| 2015 | Love & Mercy | Camera | Director of Photography | 65 Fair |
| 2015 | Spy | Camera | Director of Photography | 67 Fair |
| 2014 | The Grand Budapest Hotel | Camera | Director of Photography | 79 Good |
| 2013 | The Heat | Camera | Director of Photography | 65 Fair |
| 2012 | Moonrise Kingdom | Camera | Director of Photography | 75 Good |
| 2011 | Bridesmaids | Camera | Director of Photography | 64 Fair |
| 2010 | Get Him to the Greek | Camera | Director of Photography | 59 Average |
| 2009 | Whip It | Camera | Director of Photography | 64 Fair |
| 2008 | Yes Man | Camera | Director of Photography | 66 Fair |
| 2008 | A Matador's Mistress | Camera | Director of Photography | 58 Average |
| 2007 | Martian Child | Camera | Director of Photography | 61 Fair |
| 2007 | Hotel Chevalier | Camera | Director of Photography | 65 Fair |
| 2007 | The Darjeeling Limited | Camera | Director of Photography | 70 Good |
| 2005 | The Squid and the Whale | Camera | Director of Photography | 65 Fair |
| 2005 | Red Eye | Camera | Director of Photography | 62 Fair |
| 2004 | Lemony Snicket's A Series of Unfortunate Events | Camera | Additional Director of Photography | 67 Fair |
| 2004 | The Life Aquatic with Steve Zissou | Camera | Director of Photography | 69 Fair |
| 2003 | Secondhand Lions | Camera | Additional Photography | 66 Fair |
| 2001 | Double Whammy | Camera | Director of Photography | 58 Average |
| 2001 | The Royal Tenenbaums | Camera | Director of Photography | 73 Good |
| 2001 | CQ | Camera | Director of Photography | 58 Average |
| 2000 | Beautiful | Camera | Director of Photography | 58 Average |
| 2000 | Down to You | Camera | Director of Photography | 56 Average |
| 1999 | Dogma | Camera | Director of Photography | 67 Fair |
| 1998 | Rushmore | Camera | Director of Photography | 71 Good |
| 1998 | Permanent Midnight | Camera | Director of Photography | 59 Average |
| 1998 | The Pentagon Wars | Camera | Director of Photography | 59 Average |
| 1997 | The Rainmaker | Camera | Second Unit Director of Photography | 66 Fair |
| 1997 | White Lies | Camera | Director of Photography | N/A N/A |
| 1996 | Bottle Rocket | Camera | Director of Photography | 64 Fair |
| 1996 | Dog Watch | Camera | Director of Photography | 58 Average |
| 1995 | Coldblooded | Camera | Director of Photography | 59 Average |
| 1994 | Somebody to Love | Camera | Director of Photography | 58 Average |
| 1993 | The Paint Job | Camera | Director of Photography | 58 Average |
| 1993 | Double Deception | Camera | Director of Photography | 59 Average |
| 1992 | Past Midnight | Camera | Director of Photography | 58 Average |
| 1991 | The Linguini Incident | Camera | Director of Photography | 59 Average |
| 1990 | Too Much Sun | Camera | Director of Photography | 58 Average |
| 1989 | The Wizard | Camera | Director of Photography | 59 Average |
| 1989 | Drugstore Cowboy | Camera | Director of Photography | 65 Fair |
| 1989 | Cold Feet | Camera | Additional Photography | 58 Average |
| 1988 | Dead Heat | Camera | Director of Photography | 59 Average |
| 1988 | Johnny Be Good | Camera | Director of Photography | 56 Average |
| 1987 | Rented Lips | Camera | Director of Photography | 58 Average |
| 1987 | Rampage | Camera | Director of Photography | 58 Average |
| 1985 | To Live and Die in L.A. | Camera | Second Unit Director of Photography | 65 Fair |
| 1985 | To Live and Die in L.A. | Camera | Camera Operator | 65 Fair |
| 1982 | Booming | Camera | Director of Photography | N/A N/A |
| The Collaboration | Camera | Director of Photography | N/A N/A |
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Crew |
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| 1996 | The Substance of Fire | Crew | Cinematography | 59 Average |
| 1985 | To Live and Die in L.A. | Crew | Second Unit Cinematographer | 65 Fair |