
About
Gianni Di Venanzo
Overview
Gianni Di Venanzo (18 December 1920, Teramo, Abruzzo – 3 February 1966, Rome), was an Italian cinematographer.
Di Venanzo was one of the leading Italian post-war cinematographers with the unique distinction to be part of the neo-realist, post neo-realist and modern schools in Italian Cinema. He collaborated with several notable directors, working on Michelangelo Antonioni's L'amore in città (Love in the City), Le Amiche (The Girlfriends), Il Grido (The Outcry), La Notte (Night) and L'Eclisse (The Eclipse), Francesco Rosi's La sfida (The Challenge), I Magliari (The Magliari), Salvatore Giuliano, Le mani sulla città (Hands Over the City), and Il momento della verità (The Moment of Truth), Federico Fellini's 8½ and Giulietta degli spiriti (Juliet of the Spirits) and Joseph Losey's Eva. His last film was Joseph L. Mankiewicz's The Honey Pot (1967).
His work with Michelangelo Antonioni, Francesco Rosi and Federico Fellini made him one of the leading European masters of the camera of the middle part of the century.
His career was cut short when he died in Rome of viral hepatitis at the age of 45.
Description above from the Wikipedia article Gianni Di Venanzo, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known for
Acting |
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2006 | Marcello, una vita dolce | Actor | Self (archive footage) | 58 Average |
2003 | The Last Sequence | Actor | Self (voice) (archive footage) | 59 Average |
2002 | The Magic of Fellini | Actor | Self (archive footage) | 58 Average |
Camera |
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1967 | The Honey Pot | Camera | Director of Photography | 59 Average |
1965 | Kiss the Other Sheik | Camera | Director of Photography | 59 Average |
1965 | The 10th Victim | Camera | Director of Photography | 60 Fair |
1965 | Juliet of the Spirits | Camera | Director of Photography | 63 Fair |
1965 | Il morbidone | Camera | Director of Photography | 58 Average |
1965 | The Moment of Truth | Camera | Director of Photography | 59 Average |
1964 | Woman Is a Wonderful Thing | Camera | Director of Photography | 58 Average |
1964 | Time of Indifference | Camera | Director of Photography | 59 Average |
1964 | Bebo's Girl | Camera | Director of Photography | 58 Average |
1964 | High Infidelity | Camera | Director of Photography | 58 Average |
1963 | Hands Over the City | Camera | Director of Photography | 62 Fair |
1963 | The Basilisks | Camera | Director of Photography | 60 Fair |
1963 | 8½ | Camera | Director of Photography | 77 Good |
1962 | Eva | Camera | Director of Photography | 58 Average |
1962 | L'Eclisse | Camera | Director of Photography | 67 Fair |
1962 | Salvatore Giuliano | Camera | Director of Photography | 61 Fair |
1961 | The Policeman on Horseback | Camera | Director of Photography | 59 Average |
1961 | La Notte | Camera | Director of Photography | 71 Good |
1960 | Un mandarino per Teo | Camera | Director of Photography | 58 Average |
1960 | ...And Suddenly It's Murder! | Camera | Director of Photography | 58 Average |
1960 | The Dolphins | Camera | Director of Photography | 58 Average |
1960 | Howlers of the Dock | Camera | Director of Photography | 58 Average |
1959 | The Swindlers | Camera | Director of Photography | 59 Average |
1959 | My Wife's Enemy | Camera | Director of Photography | 58 Average |
1959 | Nel blu dipinto di blu | Camera | Director of Photography | N/A N/A |
1959 | Venetian Honeymoon | Camera | Director of Photography | 58 Average |
1959 | South Wind | Camera | Director of Photography | 58 Average |
1958 | Rascel Marine | Camera | Director of Photography | N/A N/A |
1958 | The Law Is the Law | Camera | Director of Photography | 60 Fair |
1958 | The Challenge | Camera | Director of Photography | 58 Average |
1958 | Piece of the Sky | Camera | Director of Photography | 58 Average |
1958 | Big Deal on Madonna Street | Camera | Director of Photography | 71 Good |
1957 | Rascel-Fifì | Camera | Director of Photography | N/A N/A |
1957 | Il Grido | Camera | Director of Photography | 62 Fair |
1957 | Kean: Genius or Scoundrel | Camera | Director of Photography | 59 Average |
1956 | The Awakening | Camera | Director of Photography | 59 Average |
1956 | Defend My Love | Camera | Director of Photography | N/A N/A |
1956 | Sunset in Naples | Camera | Director of Photography | N/A N/A |
1955 | The Bachelor | Camera | Director of Photography | 59 Average |
1955 | Le Amiche | Camera | Director of Photography | 59 Average |
1955 | Abandoned | Camera | Director of Photography | 59 Average |
1955 | The Girls of San Frediano | Camera | Director of Photography | 58 Average |
1954 | Chronicle of Poor Lovers | Camera | Director of Photography | 59 Average |
1953 | Love in the City | Camera | Director of Photography | 59 Average |
1953 | At the Edge of the City | Camera | Director of Photography | 59 Average |
1951 | Attention! Bandits! | Camera | Director of Photography | 59 Average |
1951 | The Moment of Truth | Camera | Camera Operator | 58 Average |
1951 | Miracle in Milan | Camera | Camera Operator | 63 Fair |
1949 | La Terra Trema | Camera | Camera Operator | 63 Fair |
1947 | Tragic Hunt | Camera | Camera Operator | 58 Average |
1945 | Days of Glory | Camera | Director of Photography | 59 Average |
1944 | Obsession | Camera | Camera Operator | 64 Fair |
Crew |
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1957 | Terrore sulla città | Crew | Cinematography | N/A N/A |
1954 | Foreign Earth | Crew | Cinematography | 58 Average |
1953 | Amore che si paga | Crew | Cinematography | N/A N/A |