About
Gilbert D. Marchant
Overview
No biography available
Known for
Sound |
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1988 | Police Academy 5: Assignment Miami Beach | Sound | Sound Editor | 54 Average |
1986 | Let's Get Harry | Sound | Supervising Sound Editor | 59 Average |
1985 | Vision Quest | Sound | Sound Editor | 59 Average |
1984 | Micki + Maude | Sound | Supervising Sound Editor | 58 Average |
1984 | The Terminator | Sound | Sound Effects Editor | 75 Good |
1981 | Endless Love | Sound | Sound Editor | 58 Average |
1979 | Hardcore | Sound | Sound Effects Editor | 62 Fair |
1977 | Bass on Titles | Sound | Sound | 59 Average |
1976 | Drum | Sound | Sound Effects Editor | 58 Average |
1974 | Messiah of Evil | Sound | Sound Effects | 59 Average |
1966 | The Bible: In the Beginning... | Sound | Music Editor | 63 Fair |
1965 | A Rage to Live | Sound | Sound Effects Editor | 58 Average |
1965 | The Hallelujah Trail | Sound | Sound Effects Editor | 59 Average |
1963 | Kings of the Sun | Sound | Sound Effects Editor | 59 Average |
1963 | The Pink Panther | Sound | Sound Effects Editor | 65 Fair |
1963 | Toys in the Attic | Sound | Sound Effects Editor | 58 Average |
1961 | West Side Story | Sound | Sound Editor | 70 Good |
1960 | The Amazing Transparent Man | Sound | Music Editor | 56 Average |
1956 | The Killing | Sound | Music Editor | 72 Good |