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About
Rex Ingram
Overview
Rex Ingram started his film career as a set designer and painter. His directorial debut was The Great Problem (1916). A true master of the medium, Ingram despised the business haggling required in the Hollywood system. He was also unhappy with the level of writing he found in American writers. This led him to work with such foreign writers as Vicente Blasco Ibáñez, which resulted in the first major role for the young Rudolph Valentino. Ingram was a great friend of Erich von Stroheim, who, like Ingram, was a great filmmaker, but often went way over budget.
In 1924, Ingram moved to Nice, France, where, in his own studios, he directed films of his own choosing, often with his then-wife Alice Terry. In his later career he acted as a mentor to the young Michael Powell.
Known for
Acting |
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1932 | Baroud | Actor | André Duval | 58 Average |
1926 | Camille: The Fate of a Coquette | Actor | Charles Stewart Parnell | 58 Average |
1923 | Mary of the Movies | Actor | (uncredited) | N/A N/A |
1915 | Snatched from a Burning Death | Actor | Chandler, the lover | N/A N/A |
1915 | The Evil Men Do | Actor | Margaret's Companion | N/A N/A |
1914 | The Moonshine Maid and the Man | Actor | N/A N/A |
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1913 | Beau Brummel | Actor | N/A N/A |
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Directing |
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1932 | Baroud | Directing | Director | 59 Average |
1932 | Baroud | Directing | Director | 58 Average |
1928 | The Three Passions | Directing | Director | 58 Average |
1927 | The Garden of Allah | Directing | Director | N/A N/A |
1926 | The Magician | Directing | Director | 59 Average |
1926 | Mare Nostrum | Directing | Director | 59 Average |
1924 | The Arab | Directing | Director | 59 Average |
1923 | Scaramouche | Directing | Director | 59 Average |
1923 | Where the Pavement Ends | Directing | Director | N/A N/A |
1922 | Trifling Women | Directing | Director | 58 Average |
1922 | The Prisoner of Zenda | Directing | Director | 58 Average |
1922 | Turn to the Right | Directing | Director | N/A N/A |
1921 | The Conquering Power | Directing | Director | 59 Average |
1921 | The Four Horsemen of the Apocalypse | Directing | Director | 59 Average |
1920 | Hearts Are Trumps | Directing | Director | N/A N/A |
1920 | Under Crimson Skies | Directing | Director | N/A N/A |
1920 | Shore Acres | Directing | Director | 58 Average |
1919 | The Day She Paid | Directing | Director | N/A N/A |
1918 | Humdrum Brown | Directing | Director | N/A N/A |
1917 | The Little Terror | Directing | Director | N/A N/A |
1917 | The Flower of Doom | Directing | Director | N/A N/A |
1917 | The Pulse of Life | Directing | Director | N/A N/A |
1917 | The Reward of the Faithless | Directing | Director | N/A N/A |
1917 | Black Orchids | Directing | Director | 58 Average |
1916 | The Chalice of Sorrow | Directing | Director | N/A N/A |
1916 | Broken Fetters | Directing | Director | N/A N/A |
1916 | The Great Problem | Directing | Director | N/A N/A |
Writing |
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1932 | Baroud | Writing | Writer | 59 Average |
1928 | The Three Passions | Writing | Writer | 58 Average |
1926 | The Magician | Writing | Adaptation | 59 Average |
1926 | The Magician | Writing | Screenplay | 59 Average |
1924 | The Arab | Writing | Writer | 59 Average |
1923 | Where the Pavement Ends | Writing | Adaptation | N/A N/A |
1922 | Trifling Women | Writing | Writer | 58 Average |
1917 | The Little Terror | Writing | Story | N/A N/A |
1917 | The Flower of Doom | Writing | Writer | N/A N/A |
1917 | The Pulse of Life | Writing | Writer | N/A N/A |
1917 | The Reward of the Faithless | Writing | Scenario Writer | N/A N/A |
1917 | Black Orchids | Writing | Scenario Writer | 58 Average |
1916 | The Chalice of Sorrow | Writing | Writer | N/A N/A |
1916 | Broken Fetters | Writing | Scenario Writer | N/A N/A |
1916 | Broken Fetters | Writing | Screenplay | N/A N/A |
1916 | The Great Problem | Writing | Writer | N/A N/A |
1916 | The Great Problem | Writing | Scenario Writer | N/A N/A |
1915 | The Galley Slave | Writing | Writer | N/A N/A |
1915 | The Wonderful Adventure | Writing | Scenario Writer | N/A N/A |
1915 | The Song of Hate | Writing | Writer | N/A N/A |
1915 | Should a Mother Tell | Writing | Scenario Writer | N/A N/A |
1915 | Should a Mother Tell | Writing | Story | N/A N/A |
Production |
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1932 | Baroud | Production | Producer | 58 Average |
1929 | L'évadée | Production | Producer | N/A N/A |
1926 | The Magician | Production | Producer | 59 Average |
1926 | Mare Nostrum | Production | Producer | 59 Average |
1923 | Scaramouche | Production | Producer | 59 Average |
1922 | The Prisoner of Zenda | Production | Producer | 58 Average |
1921 | The Conquering Power | Production | Producer | 59 Average |
Art |
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1929 | L'évadée | Art | Art Direction | N/A N/A |