About
Ric Schnupp
Overview
No biography available
Known for
Sound |
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| 2024 | The First Omen | Sound | Sound Designer | 65 Fair |
| 2024 | The First Omen | Sound | Supervising Sound Editor | 65 Fair |
| 2023 | NYAD | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2023 | Kokomo City | Sound | Supervising Sound Editor | 59 Average |
| 2023 | Kokomo City | Sound | Sound Re-Recording Mixer | 59 Average |
| 2023 | How to Blow Up a Pipeline | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2022 | My Best Friend's Exorcism | Sound | Supervising Sound Editor | 58 Average |
| 2022 | Sharp Stick | Sound | Sound Re-Recording Mixer | 58 Average |
| 2022 | Resurrection | Sound | Supervising Sound Editor | 59 Average |
| 2022 | Resurrection | Sound | Sound Designer | 59 Average |
| 2022 | Resurrection | Sound | Sound Re-Recording Mixer | 59 Average |
| 2022 | Sharp Stick | Sound | Supervising Sound Editor | 58 Average |
| 2022 | Fire Island | Sound | Sound Effects Editor | 62 Fair |
| 2022 | F^¢K '€M R!GHT B@¢K | Sound | Supervising Sound Editor | 59 Average |
| 2021 | The Night House | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2021 | The Night House | Sound | Supervising Sound Editor | 63 Fair |
| 2021 | The Night House | Sound | Sound Designer | 63 Fair |
| 2021 | Monster | Sound | Sound Re-Recording Mixer | 59 Average |
| 2021 | The Sadness | Sound | Sound Designer | 64 Fair |
| 2019 | Bad Education | Sound | Sound Effects Editor | 63 Fair |
| 2019 | Brittany Runs a Marathon | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2019 | Brittany Runs a Marathon | Sound | Supervising Sound Editor | 62 Fair |
| 2019 | The Farewell | Sound | Sound Effects Editor | 70 Good |
| 2019 | Midsommar | Sound | Sound Re-Recording Mixer | 70 Good |
| 2019 | Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2019 | Heatstroke | Sound | Sound | 59 Average |
| 2019 | A Vigilante | Sound | Sound Re-Recording Mixer | 56 Average |
| 2019 | EGG | Sound | Supervising Sound Editor | 58 Average |
| 2018 | Measure of a Man | Sound | Supervising Sound Editor | 59 Average |
| 2018 | Measure of a Man | Sound | Sound Effects Editor | 59 Average |
| 2018 | Elvis Presley: The Searcher | Sound | Sound Designer | 71 Good |
| 2018 | Thoroughbreds | Sound | Foley Editor | 62 Fair |
| 2018 | Thoroughbreds | Sound | Sound Effects Editor | 62 Fair |
| 2016 | A Kind of Murder | Sound | Foley Editor | 57 Average |
| 2016 | A Kind of Murder | Sound | ADR Mixer | 57 Average |
| 2016 | Dog Eat Dog | Sound | Sound Re-Recording Mixer | 55 Average |
| 2016 | 13 Cameras | Sound | Sound Re-Recording Mixer | 57 Average |
| 2016 | 13 Cameras | Sound | Supervising Sound Editor | 57 Average |
| 2016 | Elvis & Nixon | Sound | Sound Effects Editor | 59 Average |
| 2015 | Bone Tomahawk | Sound | Foley Editor | 67 Fair |
| 2014 | Pompeii | Sound | ADR Recordist | 55 Average |
| 2013 | Only Lovers Left Alive | Sound | ADR Recordist | 69 Fair |
| 2013 | Chinese Puzzle | Sound | ADR Recordist | 63 Fair |
| 2013 | Gravity | Sound | ADR Mixer | 71 Good |
| 2013 | Jack the Giant Slayer | Sound | Sound Recordist | 58 Average |
| 2013 | Hansel & Gretel: Witch Hunters | Sound | ADR Recordist | 60 Fair |
| 2012 | Wreck-It Ralph | Sound | Sound Recordist | 72 Good |
| 2012 | Sinister | Sound | ADR Recordist | 67 Fair |
| 2012 | The Grey | Sound | ADR Recordist | 64 Fair |
| 2012 | The Frontier | Sound | ADR Recordist | N/A N/A |
Crew |
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| 2022 | Return to Space | Crew | Mixing Engineer | 62 Fair |