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About
Gareth Bull
Overview
No biography available
Known for
Sound |
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2022 | Why Didn't They Ask Evans? | Sound | Sound Re-Recording Mixer | 67 Fair |
2014 | The Portrait | Sound | Sound Re-Recording Mixer | 59 Average |
2012 | Salmon Fishing in the Yemen | Sound | Sound Re-Recording Mixer | 62 Fair |
2010 | Burke & Hare | Sound | Sound Re-Recording Mixer | 59 Average |
2009 | An Education | Sound | Sound Re-Recording Mixer | 66 Fair |
2009 | From Time to Time | Sound | Sound Re-Recording Mixer | 59 Average |
2007 | St. Trinian's | Sound | Sound Re-Recording Mixer | 58 Average |
2007 | I Want Candy | Sound | Sound Re-Recording Mixer | 57 Average |
2005 | Dungeons & Dragons: Wrath of the Dragon God | Sound | Sound Re-Recording Mixer | 56 Average |
2004 | Stage Beauty | Sound | Foley Mixer | 60 Fair |
2004 | Lighthouse Hill | Sound | Sound Re-Recording Mixer | 58 Average |
2003 | Crime Spree | Sound | Foley Recordist | 58 Average |
2002 | Harry Potter and the Chamber of Secrets | Sound | ADR Recordist | 76 Good |
2001 | Harry Potter and the Philosopher's Stone | Sound | ADR Recordist | 78 Good |
2001 | Doc Martin | Sound | Recording Supervision | 59 Average |
1999 | Oliver Twist | Sound | Sound Re-Recording Mixer | 67 Fair |
1995 | The Day of the Beast | Sound | Sound Effects Editor | 66 Fair |