About
Mark Bakowski
Overview
Mark Bakowski joined Industrial Light & Magic London in 2014 as the studio's Compositing Supervisor on Marvel's Avengers: Age of Ultron. He went on to serve as the studio's Visual Effects Supervisor on Spectre (ILM's first venture into the world of 007), Doctor Strange, and Life.Bakowski began his career in visual effects in 2000 as a compositor and has taken on roles of increasing responsibility ever since, credited on 40 films. Prior to joining ILM, Bakowski was the head of compositing at Framestore, and his work as Compositing Supervisor on Gravity earned him a Visual Effects Society Award for Best Compositing.Born in Leicester, UK, Bakowski graduated from the University of Kent at Canterbury with a BA in Film Studies. A father of two, Bakowski enjoys spending his free time with his family.
Information above via Industrial Light & Magic Official Site Bio.
Known for
Acting |
||||
| 2023 | Willow: Behind the Magic | Actor | Self - VFX Supervisor | 58 Average |
Crew |
||||
| 2006 | V for Vendetta | Crew | Sequence Supervisor | 78 Good |
Visual Effects |
||||
| 2024 | Gladiator II | Visual Effects | Visual Effects Supervisor | 66 Fair |
| 2022 | Willow | Visual Effects | Visual Effects Supervisor | 68 Fair |
| 2022 | Jurassic World Dominion | Visual Effects | Additional Visual Effects | 66 Fair |
| 2021 | No Time to Die | Visual Effects | Visual Effects Supervisor | 72 Good |
| 2020 | The Midnight Sky | Visual Effects | Visual Effects Supervisor | 57 Average |
| 2019 | Aladdin | Visual Effects | Visual Effects Supervisor | 70 Good |
| 2018 | Bird Box | Visual Effects | Visual Effects Supervisor | 67 Fair |
| 2018 | Overlord | Visual Effects | Visual Effects Supervisor | 66 Fair |
| 2017 | Life | Visual Effects | Visual Effects Supervisor | 64 Fair |
| 2016 | Doctor Strange | Visual Effects | Visual Effects Supervisor | 73 Good |
| 2015 | Spectre | Visual Effects | Visual Effects Supervisor | 65 Fair |
| 2015 | Avengers: Age of Ultron | Visual Effects | Compositing Supervisor | 72 Good |
| 2015 | Jupiter Ascending | Visual Effects | Compositing Supervisor | 54 Average |
| 2013 | Gravity | Visual Effects | Compositing Supervisor | 71 Good |
| 2013 | Percy Jackson: Sea of Monsters | Visual Effects | Visual Effects Supervisor | 60 Fair |
| 2013 | Iron Man 3 | Visual Effects | Visual Effects Supervisor | 69 Fair |
| 2011 | Johnny English Reborn | Visual Effects | Compositing Supervisor | 61 Fair |
| 2008 | The Chronicles of Narnia: Prince Caspian | Visual Effects | Compositing Supervisor | 65 Fair |
| 2005 | The Brothers Grimm | Visual Effects | Compositing Artist | 58 Average |
| 2005 | Mee-Shee: The Water Giant | Visual Effects | Digital Compositor | 58 Average |
| 2005 | Charlie and the Chocolate Factory | Visual Effects | Digital Compositor | 69 Fair |
| 2005 | The Hitchhiker's Guide to the Galaxy | Visual Effects | Digital Compositor | 66 Fair |
| 2004 | Around the World in 80 Days | Visual Effects | Digital Compositor | 58 Average |
| 2004 | The Reckoning | Visual Effects | Digital Compositor | 59 Average |
| 2003 | In America | Visual Effects | Digital Compositor | 64 Fair |
| 2003 | The Order | Visual Effects | Digital Compositor | 58 Average |
| 2003 | Lara Croft: Tomb Raider - The Cradle of Life | Visual Effects | Digital Compositor | 57 Average |
| 2003 | The Life of David Gale | Visual Effects | Digital Compositor | 71 Good |
| 2002 | Die Another Day | Visual Effects | Digital Compositor | 59 Average |
| 2002 | Ripley's Game | Visual Effects | Digital Compositor | 60 Fair |
| 2002 | Possession | Visual Effects | Digital Compositor | 59 Average |
| 2002 | Miranda | Visual Effects | Visual Effects Supervisor | 58 Average |
| 2001 | A Knight's Tale | Visual Effects | Digital Compositor | 67 Fair |
| 2000 | Chocolat | Visual Effects | Digital Compositor | 68 Fair |
| 2000 | Proof of Life | Visual Effects | Digital Compositor | 60 Fair |
| 2000 | Ali Zaoua: Prince of the Streets | Visual Effects | Digital Compositor | 59 Average |