About
Alberto Cavalcanti
Overview
Alberto de Almeida Cavalcanti was a Brazilian-born film director and producer. He was born in Rio de Janeiro, the son of a prominent mathematician. He was a precociously intelligent child, and by the age of 15 was studying law at university. Following an argument with a professor he was expelled. His father sent him to Geneva, Switzerland on condition that he did not study law or politics. Cavalcanti chose to study architecture instead. At 18 he moved to Paris to work for an architect, later switching to working on interior design. After a visit back to Brazil he took up a position at the Brazilian consulate in Liverpool, England.
Cavalcanti corresponded with Marcel L'Herbier, a leading light in France's avant-garde film movement. This led to a job offer from L'Herbier for Cavalcanti to work as a set designer. So, in 1920 he left his job at the Consulate and moved back to France to work for L'Herbier; he was to be involved in the making of numerous films, the most notable being L'Inhumaine.
He was soon making his own films, in 1926 directing his first, Rien Que les Heures (Nothing But Time) — a day in the life of Paris and its citizens. In 1927 he collaborated with Walter Ruttmann on a similar project set in Berlin, called Berlin: Die Sinfonie der Großstadt (Berlin: Symphony of a Big City).
Cavalcanti took a job with Paramount's French studios after the talkies came in, but he found himself making more commercial films which could not hold his interest and left Paramount in 1933. In the same year he returned to England to work for John Grierson's GPO Film Unit. He was involved in many capacities, from production to sound engineer. He was to spend seven years at the GPO Film Unit, working on many projects. Much of his work at the GPO was uncredited, he acted as a mentor to many new film makers, but in 1937 he was appointed acting head of the GPO Film Unit when Grierson left for Canada. When told that the only way the position could become permanent was to become a naturalized British citizen, he decided to leave the unit.
In 1940 Cavalcanti joined Ealing Studios, under the leadership of producer Michael Balcon. He worked as an art editor, producer and director. His most notable works of this period (many of them propaganda films) were Yellow Caesar (1941), Went the Day Well? (1942), Three Songs of Resistance (1943), Champagne Charlie (1944), Dead of Night (as co-director) (1945) and Nicholas Nickleby (1947). In 1946 Cavalcanti left Ealing over a dispute about money. He went on to direct three more films in the UK, before returning to Brazil in 1950.
In Brazil he worked as a producer for Companhia Cinematográfica Vera Cruz; the company eventually became insolvent. After being blacklisted as a communist in Brazil, he decided to move back to Europe in 1954. He eventually settled in France, where he continued his work in television. He died in Paris in 1982 at the age of 85.
Known for
Acting |
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1976 | Um Homem e o Cinema | Actor | Self | N/A N/A |
1970 | Alberto Cavalcanti | Actor | Self | N/A N/A |
1969 | Lettres de Stalingrad | Actor | Astronomer | N/A N/A |
1934 | Pett and Pott: A Fairy Story of the Suburbs | Actor | J. Leviticus (uncredited) | 58 Average |
1929 | Paris Cinéma | Actor | Self | 59 Average |
Directing |
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1978 | Le Voyageur du silence | Directing | Director | N/A N/A |
1976 | Um Homem e o Cinema | Directing | Director | N/A N/A |
1971 | La visite de la vieille dame | Directing | Director | N/A N/A |
1961 | The Monster of Highgate Ponds | Directing | Director | 59 Average |
1960 | Herr Puntila and His Servant Matti | Directing | Director | N/A N/A |
1959 | Venetian Honeymoon | Directing | Director | 59 Average |
1957 | The Wind Rose | Directing | Director | 58 Average |
1955 | Mulher de Verdade | Directing | Director | 58 Average |
1953 | Song of the Sea | Directing | Director | 59 Average |
1952 | Simão, o Caolho | Directing | Director | 59 Average |
1949 | For Them That Trespass | Directing | Director | 58 Average |
1948 | The First Gentleman | Directing | Director | 59 Average |
1947 | They Made Me a Fugitive | Directing | Director | 59 Average |
1947 | The Life and Adventures of Nicholas Nickleby | Directing | Director | 59 Average |
1945 | Dead of Night | Directing | Director | 63 Fair |
1944 | Champagne Charlie | Directing | Director | 58 Average |
1944 | Trois chansons de la résistance | Directing | Director | N/A N/A |
1943 | The Sky’s the Limit | Directing | Director | N/A N/A |
1942 | Went the Day Well? | Directing | Director | 60 Fair |
1942 | Alice in Switzerland | Directing | Director | N/A N/A |
1942 | Film and Reality | Directing | Director | N/A N/A |
1941 | Yellow Caesar | Directing | Director | 59 Average |
1940 | Young Veteran | Directing | Director | N/A N/A |
1940 | Mastery of the Sea | Directing | Director | N/A N/A |
1940 | La Cause Commune | Directing | Director | 59 Average |
1940 | French Communique | Directing | Director | N/A N/A |
1939 | A Midsummer Day's Work | Directing | Director | N/A N/A |
1939 | The Chiltern Country | Directing | Director | N/A N/A |
1939 | Men of the Alps | Directing | Director | N/A N/A |
1938 | Mony a Pickle | Directing | Director | 58 Average |
1938 | Happy in the Morning: A Film Fantasy | Directing | Director | N/A N/A |
1937 | We Live in Two Worlds | Directing | Director | N/A N/A |
1937 | The Line to Tschierva Hut | Directing | Director | N/A N/A |
1936 | Message from Genova | Directing | Director | N/A N/A |
1935 | Coal Face | Directing | Director | 59 Average |
1934 | The Glorious Sixth of June | Directing | Director | N/A N/A |
1934 | Coralie and Company | Directing | Director | N/A N/A |
1934 | Pett and Pott: A Fairy Story of the Suburbs | Directing | Director | 58 Average |
1934 | Montmartre qui tourne | Directing | Director | N/A N/A |
1934 | New Rates | Directing | Director | N/A N/A |
1933 | Le mari garçon | Directing | Director | N/A N/A |
1933 | Plaisirs défendus | Directing | Director | N/A N/A |
1932 | The Brazilian thing | Directing | Director | N/A N/A |
1932 | Tour of Song | Directing | Director | N/A N/A |
1931 | Halfway Up the Sky | Directing | Director | N/A N/A |
1931 | The Devil's Holiday | Directing | Director | N/A N/A |
1931 | In a lost island | Directing | Director | N/A N/A |
1930 | All His Life | Directing | Director | N/A N/A |
1930 | Little Red Riding Hood | Directing | Director | N/A N/A |
1930 | A Canção do Berço | Directing | Director | N/A N/A |
1929 | Captain Fracasse | Directing | Director | 59 Average |
1929 | Train Without Eyes | Directing | Director | N/A N/A |
1927 | Yvette | Directing | Director | N/A N/A |
1927 | Sea Fever | Directing | Director | 58 Average |
1927 | La P’tite Lili | Directing | Director | 58 Average |
1927 | La jalousie du barbouillé | Directing | Director | N/A N/A |
1926 | Nothing But Time | Directing | Director | 59 Average |
1924 | The Gallery of Monsters | Directing | Assistant Director | 59 Average |
Writing |
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1982 | Brasília, segundo roteiro de Alberto Cavalcanti | Writing | Screenplay | N/A N/A |
1960 | Herr Puntila and His Servant Matti | Writing | Screenplay | N/A N/A |
1957 | The Wind Rose | Writing | Screenplay | 58 Average |
1955 | Mulher de Verdade | Writing | Idea | 58 Average |
1953 | Song of the Sea | Writing | Writer | 59 Average |
1952 | Simão, o Caolho | Writing | Writer | 59 Average |
1951 | Angela | Writing | Writer | N/A N/A |
1950 | Caiçara | Writing | Story | 59 Average |
1937 | The Line to Tschierva Hut | Writing | Writer | N/A N/A |
1935 | Coal Face | Writing | Writer | 59 Average |
1934 | Pett and Pott: A Fairy Story of the Suburbs | Writing | Writer | 58 Average |
1930 | Little Red Riding Hood | Writing | Adaptation | N/A N/A |
1927 | Yvette | Writing | Writer | N/A N/A |
1927 | Sea Fever | Writing | Writer | 58 Average |
Production |
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1953 | Song of the Sea | Production | Producer | 59 Average |
1951 | Terra é Sempre Terra | Production | Producer | N/A N/A |
1950 | Caiçara | Production | Producer | 59 Average |
1943 | Greek Testament | Production | Producer | 59 Average |
1942 | The Foreman Went to France | Production | Associate Producer | 59 Average |
1942 | Find, Fix and Strike | Production | Producer | N/A N/A |
1940 | Young Veteran | Production | Producer | N/A N/A |
1940 | Sea Fort | Production | Producer | N/A N/A |
1940 | Salvage with a Smile | Production | Associate Producer | N/A N/A |
1938 | North Sea | Production | Producer | 58 Average |
1938 | N or NW | Production | Producer | 59 Average |
1938 | Happy in the Morning: A Film Fantasy | Production | Producer | N/A N/A |
1937 | Daily Round | Production | Producer | N/A N/A |
1935 | BBC: The Voice of Britain | Production | Producer | N/A N/A |
1935 | The King's Stamp | Production | Producer | N/A N/A |
Sound |
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1934 | Granton Trawler | Sound | Sound Designer | 58 Average |
Art |
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1927 | The Little People | Art | Production Design | N/A N/A |
1925 | The Late Mathias Pascal | Art | Art Direction | 59 Average |
1924 | L'Inhumaine | Art | Art Direction | 59 Average |
1923 | Résurrection | Art | Production Design | N/A N/A |
Costume & Make-Up |
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1921 | El Dorado | Costume & Make-Up | Costume Design | 59 Average |
Crew |
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1938 | Happy in the Morning: A Film Fantasy | Crew | Script | N/A N/A |
Editing |
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1934 | Pett and Pott: A Fairy Story of the Suburbs | Editing | Editor | 58 Average |
1930 | Little Red Riding Hood | Editing | Editor | N/A N/A |