About
Leandro de Loredo
Overview
No biography available
Known for
Acting |
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| 2014 | Diseño de Sonido para Cine en Argentina | Actor | Leandro de Loredo | 59 Average |
Sound |
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| 2024 | Norita | Sound | Sound | N/A N/A |
| 2024 | The Man Who Loved UFOs | Sound | Sound | 59 Average |
| 2024 | Dante y Soledad | Sound | Sound Mixer | N/A N/A |
| 2024 | The Ant Woman | Sound | Sound | 59 Average |
| 2024 | A Man Who Writes | Sound | Sound | N/A N/A |
| 2023 | Muchachos, la película de la gente | Sound | Sound | 61 Fair |
| 2023 | The Rescue: The Weight of the World | Sound | Sound | 59 Average |
| 2023 | The Settlers | Sound | ADR Mixer | 60 Fair |
| 2023 | When Evil Lurks | Sound | Sound Mix Technician | 68 Fair |
| 2023 | FreeKs | Sound | Sound Designer | 69 Fair |
| 2022 | The Substitute | Sound | Sound | 58 Average |
| 2022 | The Substitute | Sound | Sound Re-Recording Mixer | 58 Average |
| 2022 | Más respeto que soy tu madre | Sound | Sound | 59 Average |
| 2022 | All Hail | Sound | Sound Re-Recording Mixer | 59 Average |
| 2022 | A Little Love Package | Sound | Sound | N/A N/A |
| 2022 | Jesús López | Sound | Sound Mix Technician | 59 Average |
| 2021 | Abandonment | Sound | Sound Re-Recording Mixer | 59 Average |
| 2021 | Official Competition | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2021 | We Will Never Die | Sound | Sound Re-Recording Mixer | 58 Average |
| 2021 | The Vacant Lot | Sound | Sound | N/A N/A |
| 2021 | A School in Cerro Hueso | Sound | Sound Designer | 58 Average |
| 2020 | Notes for My Son | Sound | Sound Designer | 61 Fair |
| 2020 | Coven | Sound | Sound Director | 61 Fair |
| 2020 | So Much Love to Give | Sound | Sound | 59 Average |
| 2020 | Two/One | Sound | Sound Re-Recording Mixer | 59 Average |
| 2020 | Two/One | Sound | Sound Designer | 59 Average |
| 2020 | Chaco | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2019 | 36 horas | Sound | Sound | N/A N/A |
| 2019 | Monos | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2019 | Holy Beasts | Sound | Original Music Composer | 58 Average |
| 2019 | Holy Beasts | Sound | Sound Re-Recording Mixer | 58 Average |
| 2019 | Monzón: A Knockout Blow | Sound | Supervising Sound Editor | 68 Fair |
| 2018 | There Will Come Soft Rains | Sound | Sound Mix Technician | 58 Average |
| 2018 | The Religious | Sound | Sound Editor | 58 Average |
| 2018 | El Potro: Unstoppable | Sound | Supervising Sound Editor | 58 Average |
| 2018 | El Potro: Unstoppable | Sound | Sound Re-Recording Mixer | 58 Average |
| 2018 | The Last Man | Sound | Sound Re-Recording Mixer | 58 Average |
| 2018 | Frankie | Sound | Sound Editor | 59 Average |
| 2018 | Frankie | Sound | Sound Post Production Coordinator | 59 Average |
| 2017 | Los perros | Sound | Sound Mixer | 58 Average |
| 2017 | Los perros | Sound | Sound Editor | 58 Average |
| 2017 | Hunting Season | Sound | Sound Re-Recording Mixer | 59 Average |
| 2017 | A Sort of Family | Sound | Sound Editor | 59 Average |
| 2017 | A Sort of Family | Sound | Sound Re-Recording Mixer | 59 Average |
| 2017 | A Sort of Family | Sound | Supervising Sound Editor | 59 Average |
| 2017 | Football or Me | Sound | Sound Mixer | 58 Average |
| 2017 | Soldier | Sound | Sound Mixer | 59 Average |
| 2016 | Rara | Sound | Sound Mixer | 58 Average |
| 2016 | I'm Gilda | Sound | Supervising Sound Editor | 60 Fair |
| 2016 | I'm Gilda | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2016 | A Monster with a Thousand Heads | Sound | Foley Mixer | 59 Average |
| 2016 | I Married a Dumbass | Sound | Sound Re-Recording Mixer | 58 Average |
| 2016 | The Black Frost | Sound | Sound Re-Recording Mixer | 58 Average |
| 2015 | Heidi | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2015 | Incident Light | Sound | Sound Re-Recording Mixer | 59 Average |
| 2015 | The Clan | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2015 | The Clan | Sound | Supervising Sound Editor | 62 Fair |
| 2015 | Gulliver | Sound | Sound Mixer | 59 Average |
| 2014 | Refugiado | Sound | Sound Mixer | 58 Average |
| 2014 | Refugiado | Sound | Sound | 58 Average |
| 2014 | The Ardor | Sound | Sound Re-Recording Mixer | 58 Average |
| 2014 | Death in Buenos Aires | Sound | Sound | 58 Average |
| 2013 | The river people | Sound | Sound | 59 Average |
| 2013 | La Paz | Sound | Sound Designer | 58 Average |
| 2012 | White Elephant | Sound | Supervising Sound Editor | 60 Fair |
| 2012 | As Brasileiras | Sound | Sound | 69 Fair |
| 2010 | As Cariocas | Sound | Foley Mixer | 70 Good |
| 2010 | The Invisible Eye | Sound | Sound Designer | 59 Average |
| 2010 | The Invisible Eye | Sound | Sound Re-Recording Mixer | 59 Average |
| 2009 | The Widows of Thursdays | Sound | ADR Recordist | 58 Average |
| 2009 | The Secret in Their Eyes | Sound | ADR Recordist | 76 Good |
| 2009 | The Secret in Their Eyes | Sound | Foley Recordist | 76 Good |
| 2008 | Cyclops | Sound | Foley Recordist | 58 Average |
| 2008 | Golden Oldies | Sound | Foley Recordist | 58 Average |
| 2008 | Lion's Den | Sound | Foley Recordist | 59 Average |
| 2001 | Lost Horizon | Sound | ADR Recordist | 58 Average |
| 1999 | Silvia Prieto | Sound | Sound Editor | 59 Average |
| Las nadadoras de Villa Rosa | Sound | Sound | N/A N/A |
|
Crew |
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| 2013 | El conductor | Crew | Mixing Engineer | 59 Average |