About
Burnett Guffey
Overview
While still a teenager, the future Academy Award-winning lensman began as an assistant cameraman in 1923 on John Ford's 1924 western saga The Iron Horse. He was then hired by the Famous Players-Lasky Studios in 1927, became a camera operator in 1928 and worked there until 1943. Guffey was hired as a Director of Photography by Columbia Pictures in 1944.
In 1957-58 he served as president of the American Society of Cinematographers (A.S.C.) for a year, and had been a long standing member.
According to film critic Spencer Selby, Guffey was a prolific film noir cinematographer, shooting 20 of them, including In a Lonely Place (1950).
Known for
Acting |
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1969 | My Father: Gordon Parks | Actor | Himself | N/A N/A |
1969 | The Moviemakers | Actor | Self | N/A N/A |
Camera |
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1971 | The Steagle | Camera | Director of Photography | 58 Average |
1970 | The Great White Hope | Camera | Director of Photography | 59 Average |
1970 | Suppose They Gave a War and Nobody Came? | Camera | Director of Photography | 58 Average |
1970 | Halls of Anger | Camera | Director of Photography | 58 Average |
1969 | The Madwoman of Chaillot | Camera | Director of Photography | 59 Average |
1969 | Some Kind of a Nut | Camera | Director of Photography | 58 Average |
1969 | The Learning Tree | Camera | Director of Photography | 59 Average |
1969 | Where It's At | Camera | Director of Photography | 59 Average |
1968 | The Split | Camera | Director of Photography | 59 Average |
1967 | The Ambushers | Camera | Director of Photography | 58 Average |
1967 | Bonnie and Clyde | Camera | Director of Photography | 71 Good |
1967 | How to Succeed in Business Without Really Trying | Camera | Director of Photography | 59 Average |
1966 | The Silencers | Camera | Director of Photography | 59 Average |
1965 | King Rat | Camera | Director of Photography | 60 Fair |
1964 | Good Neighbor Sam | Camera | Director of Photography | 59 Average |
1964 | Flight from Ashiya | Camera | Director of Photography | 58 Average |
1962 | Kid Galahad | Camera | Director of Photography | 59 Average |
1962 | Birdman of Alcatraz | Camera | Director of Photography | 64 Fair |
1961 | Mr. Sardonicus | Camera | Director of Photography | 59 Average |
1961 | Homicidal | Camera | Director of Photography | 59 Average |
1961 | Cry for Happy | Camera | Director of Photography | 58 Average |
1960 | Let No Man Write My Epitaph | Camera | Director of Photography | 58 Average |
1960 | Hell to Eternity | Camera | Director of Photography | 59 Average |
1960 | The Mountain Road | Camera | Director of Photography | 59 Average |
1959 | Edge of Eternity | Camera | Director of Photography | 59 Average |
1959 | They Came to Cordura | Camera | Director of Photography | 59 Average |
1959 | Gidget | Camera | Director of Photography | 59 Average |
1959 | Dogface | Camera | Director of Photography | 59 Average |
1958 | Me and the Colonel | Camera | Director of Photography | 59 Average |
1958 | Screaming Mimi | Camera | Director of Photography | 58 Average |
1958 | The True Story of Lynn Stuart | Camera | Director of Photography | 59 Average |
1957 | Decision at Sundown | Camera | Director of Photography | 59 Average |
1957 | The Brothers Rico | Camera | Director of Photography | 59 Average |
1957 | The Strange One | Camera | Director of Photography | 59 Average |
1957 | Not One Shall Die | Camera | Director of Photography | N/A N/A |
1956 | Nightfall | Camera | Director of Photography | 60 Fair |
1956 | Storm Center | Camera | Director of Photography | 59 Average |
1956 | The Harder They Fall | Camera | Director of Photography | 61 Fair |
1956 | Battle Stations | Camera | Director of Photography | 59 Average |
1955 | Three Stripes in the Sun | Camera | Director of Photography | 59 Average |
1955 | Count Three and Pray | Camera | Director of Photography | 58 Average |
1955 | Tight Spot | Camera | Director of Photography | 59 Average |
1955 | The Violent Men | Camera | Director of Photography | 59 Average |
1954 | Private Hell 36 | Camera | Director of Photography | 59 Average |
1954 | Human Desire | Camera | Director of Photography | 60 Fair |
1954 | The Bamboo Prison | Camera | Director of Photography | 59 Average |
1953 | From Here to Eternity | Camera | Director of Photography | 66 Fair |
1953 | The Last Posse | Camera | Director of Photography | 59 Average |
1952 | Assignment: Paris | Camera | Director of Photography | 59 Average |
1952 | The Sniper | Camera | Director of Photography | 59 Average |
1952 | Scandal Sheet | Camera | Director of Photography | 60 Fair |
1951 | The Family Secret | Camera | Director of Photography | 59 Average |
1951 | Two of a Kind | Camera | Director of Photography | 59 Average |
1951 | Sirocco | Camera | Director of Photography | 58 Average |
1950 | Emergency Wedding | Camera | Director of Photography | 59 Average |
1950 | Convicted | Camera | Director of Photography | 59 Average |
1950 | In a Lonely Place | Camera | Director of Photography | 67 Fair |
1950 | Father Is a Bachelor | Camera | Director of Photography | 59 Average |
1949 | The Reckless Moment | Camera | Director of Photography | 60 Fair |
1949 | And Baby Makes Three | Camera | Director of Photography | 58 Average |
1949 | All the King's Men | Camera | Director of Photography | 61 Fair |
1949 | The Undercover Man | Camera | Director of Photography | 59 Average |
1949 | Knock on Any Door | Camera | Director of Photography | 59 Average |
1948 | The Sign of the Ram | Camera | Director of Photography | 59 Average |
1948 | To the Ends of the Earth | Camera | Director of Photography | 58 Average |
1947 | Framed | Camera | Director of Photography | 59 Average |
1947 | Johnny O'Clock | Camera | Director of Photography | 59 Average |
1946 | So Dark the Night | Camera | Director of Photography | 59 Average |
1946 | Gallant Journey | Camera | Director of Photography | 59 Average |
1946 | Night Editor | Camera | Director of Photography | 58 Average |
1946 | The Notorious Lone Wolf | Camera | Director of Photography | 59 Average |
1945 | My Name Is Julia Ross | Camera | Director of Photography | 59 Average |
1945 | Blonde from Brooklyn | Camera | Director of Photography | 58 Average |
1945 | Eve Knew Her Apples | Camera | Director of Photography | 58 Average |
1945 | I Love a Mystery | Camera | Director of Photography | 59 Average |
1945 | Eadie Was a Lady | Camera | Director of Photography | 58 Average |
1944 | The Soul of a Monster | Camera | Director of Photography | 58 Average |
1944 | Sailor's Holiday | Camera | Director of Photography | N/A N/A |
1937 | You Only Live Once | Camera | Assistant Camera | 62 Fair |
1935 | The Informer | Camera | Camera Operator | 60 Fair |
1932 | The Conquerors | Camera | Camera Operator | 59 Average |
Crew |
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1946 | A Bird in the Head | Crew | Cinematography | 59 Average |
1946 | Meet Me on Broadway | Crew | Cinematography | 59 Average |