
About
Cristóbal León
Overview
Cristóbal León (Chile, 1980) and Joaquín Cociña (Chile, 1980) are artists and filmmakers who live and work in Santiago de Chile. They have been working together since 2007. Independent of each other, they make drawings, animations, installations as well as backdrops and they also write texts. Their work often finds direct or indirect inspiration in children's literature, using and resituating their narratives and visual aesthetics.
Cristóbal León was born to Víctor León and Eileen Dooner on November 22, 1980. He finished his bachelor's degree in design at the Universidad Católica de Chile, obtained a grant from the DAAD in 2007 and left for Berlin for a one-year programme at the UdK in 2009. In 2011 Leon became a participant artist at ‘The Ateliers’ in Amsterdam. He is also the brother of Alejandro León, architect and occasional artist.
From Wikipedia, the free encyclopedia.
Known for
Directing |
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2025 | The Neverending Plague | Directing | Director | N/A N/A |
2024 | The Hyperboreans | Directing | Director | 58 Average |
2023 | Notebook of Names | Directing | Director | 58 Average |
2023 | The Bones | Directing | Director | 59 Average |
2022 | Thin Thing | Directing | Director | 58 Average |
2020 | Strange Creatures | Directing | Director | N/A N/A |
2018 | The Wolf House | Directing | Director | 63 Fair |
2013 | Los Andes | Directing | Director | 58 Average |
2012 | The Witch and the Lover | Directing | Director | N/A N/A |
2011 | The Ark | Directing | Director | 58 Average |
2011 | The Temple | Directing | Director | N/A N/A |
2011 | Father. Mother. | Directing | Director | N/A N/A |
2009 | The Smaller Room | Directing | Director | 58 Average |
2008 | The Slave | Directing | Director | 58 Average |
2008 | Luis | Directing | Director | 58 Average |
2007 | Nocturno de Chile | Directing | Director | N/A N/A |
2007 | Lucía | Directing | Director | 58 Average |
Hansel & Gretel | Directing | Director | N/A N/A |
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Writing |
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2023 | Notebook of Names | Writing | Writer | 58 Average |
2023 | The Bones | Writing | Writer | 59 Average |
2018 | The Wolf House | Writing | Writer | 63 Fair |
2008 | Luis | Writing | Screenplay | 58 Average |
2007 | Lucía | Writing | Screenplay | 58 Average |
Production |
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2025 | No Soy Tuyo | Production | Producer | N/A N/A |
2022 | Family Coup | Production | Co-Producer | 58 Average |
Art |
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2022 | Thin Thing | Art | Art Direction | 58 Average |
2018 | The Wolf House | Art | Art Direction | 63 Fair |
Camera |
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2023 | The Bones | Camera | Director of Photography | 59 Average |
2012 | The Witch and the Lover | Camera | Director of Photography | N/A N/A |
Crew |
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2024 | The Hyperboreans | Crew | Script | 58 Average |
2022 | Thin Thing | Crew | Cinematography | 58 Average |
2022 | Thin Thing | Crew | Script | 58 Average |
2022 | Beast | Crew | Post Production Supervisor | 59 Average |
2018 | The Wolf House | Crew | Cinematography | 63 Fair |
Editing |
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2024 | The Hyperboreans | Editing | Editor | 58 Average |
2023 | Notebook of Names | Editing | Editor | 58 Average |
2023 | The Bones | Editing | Editor | 59 Average |
2022 | Thin Thing | Editing | Editor | 58 Average |
Visual Effects |
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2023 | Notebook of Names | Visual Effects | Photo Retouching | 58 Average |
2023 | The Bones | Visual Effects | Visual Effects | 59 Average |
2023 | The Bones | Visual Effects | Animation | 59 Average |
2023 | Beau Is Afraid | Visual Effects | Animation | 64 Fair |
2022 | Family Coup | Visual Effects | Visual Effects | 58 Average |
2022 | Thin Thing | Visual Effects | Animation | 58 Average |
2022 | Thin Thing | Visual Effects | VFX Artist | 58 Average |
2018 | The Wolf House | Visual Effects | Animation | 63 Fair |
2017 | La Isla de los Pájaros Sombra | Visual Effects | Animation | N/A N/A |