About
Danielle Dupre
Overview
After graduating from USC, Danielle started her career at Henson Recording Studios in Los Angeles. There, she cut her teeth alongside industry giants like Prince, D'Angelo, Mariah Carey and Justin Bieber, to name a few. Upon returning to her native Northern California, Skywalker Sound welcomed her home. In her 13+ years on theatrical dub stages, she has contributed to over 80 films and 20 television series. Over the years, Danielle's instinct for storytelling, rhythm and cutting-edge technical expertise has evolved under the direction of Ridley Scott, Peter Craig, David Benioff & D.B Weiss, Park Chan-wook, Sacha Baron Cohen, and Dave Filoni, among many others. Through her enthusiasm as a collaborator, robust creative skill set and tireless work ethic, she has been nominated for 6 Emmy® Awards and 6 CAS nominations.
Information above via their homepage.
Known for
Sound |
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| 2025 | The Fantastic Four: First Steps | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2025 | Dope Thief | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2025 | Plainclothes | Sound | Sound Re-Recording Mixer | 58 Average |
| 2024 | Hitpig! | Sound | Sound Re-Recording Mixer | 58 Average |
| 2024 | Agatha All Along | Sound | Sound Re-Recording Mixer | 76 Good |
| 2024 | The Sympathizer | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2024 | 3 Body Problem | Sound | Sound Re-Recording Mixer | 74 Good |
| 2023 | Stan Lee | Sound | Supervising Sound Editor | 60 Fair |
| 2023 | Stan Lee | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2023 | Waco: The Aftermath | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2022 | Wendell & Wild | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2022 | Obi-Wan Kenobi: A Jedi's Return | Sound | Supervising Sound Editor | 64 Fair |
| 2022 | Obi-Wan Kenobi: A Jedi's Return | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2022 | I Am Groot | Sound | Sound Re-Recording Mixer | 71 Good |
| 2022 | Civil: Ben Crump | Sound | Supervising Sound Editor | 59 Average |
| 2022 | Civil: Ben Crump | Sound | Sound Re-Recording Mixer | 59 Average |
| 2022 | Obi-Wan Kenobi | Sound | Sound Re-Recording Mixer | 70 Good |
| 2022 | Top Gun: Maverick | Sound | Sound Re-Recording Assistant | 80 Very good |
| 2022 | Sketchbook | Sound | Supervising Sound Editor | 69 Fair |
| 2022 | Sketchbook | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2021 | Hawkeye | Sound | Sound Re-Recording Mixer | 78 Good |
| 2021 | A Spark Story | Sound | Sound Re-Recording Mixer | 58 Average |
| 2021 | A Spark Story | Sound | Supervising Sound Editor | 58 Average |
| 2021 | Ahead of the Curve | Sound | Sound Re-Recording Mixer | 58 Average |
| 2021 | Ahead of the Curve | Sound | Supervising Sound Editor | 58 Average |
| 2021 | WandaVision | Sound | Sound Re-Recording Mixer | 81 Very good |
| 2020 | Pieces of a Woman | Sound | Additional Sound Re-Recording Mixer | 66 Fair |
| 2020 | Roald Dahl's The Witches | Sound | Sound Mix Technician | 63 Fair |
| 2020 | Borat Subsequent Moviefilm | Sound | Additional Sound Re-Recording Mixer | 63 Fair |
| 2020 | Kajillionaire | Sound | Sound Re-Recording Assistant | 60 Fair |
| 2020 | Belly of the Beast | Sound | Supervising Sound Editor | 58 Average |
| 2020 | Belly of the Beast | Sound | Sound Re-Recording Mixer | 58 Average |
| 2020 | Becoming | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2020 | The Skywalker Legacy | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2019 | Fine Lines | Sound | Sound Re-Recording Mixer | 58 Average |
| 2019 | Spies in Disguise | Sound | Sound Re-Recording Assistant | 73 Good |
| 2019 | The Cave | Sound | Sound Re-Recording Assistant | 60 Fair |
| 2019 | Changeland | Sound | Sound Re-Recording Mixer | 58 Average |
| 2019 | The Apollo | Sound | Sound Re-Recording Assistant | 58 Average |
| 2019 | The Gift: The Journey of Johnny Cash | Sound | Sound Re-Recording Mixer | 59 Average |
| 2019 | Captain Marvel | Sound | Sound Re-Recording Assistant | 67 Fair |
| 2019 | The Stew | Sound | Sound Designer | 58 Average |
| 2019 | The Stew | Sound | Sound Re-Recording Mixer | 58 Average |
| 2019 | Sister Aimee | Sound | Sound Re-Recording Mixer | 58 Average |
| 2019 | How to Train Your Dragon: The Hidden World | Sound | Sound Re-Recording Assistant | 75 Good |
| 2018 | What We Left Behind: Looking Back at Star Trek: Deep Space Nine | Sound | Sound Re-Recording Mixer | 59 Average |
| 2018 | Solo: A Star Wars Story | Sound | Sound Re-Recording Assistant | 65 Fair |
| 2018 | Avengers: Infinity War | Sound | Sound Re-Recording Assistant | 81 Very good |
| 2018 | Queerskins: A Love Story | Sound | Dialogue Editor | N/A N/A |
| 2018 | Scotch: A Golden Dream | Sound | Sound Re-Recording Mixer | 59 Average |
| 2018 | Ready Player One | Sound | Sound Re-Recording Assistant | 75 Good |
| 2018 | Seeing Allred | Sound | Sound Re-Recording Assistant | 59 Average |
| 2017 | Phantom Thread | Sound | Sound Re-Recording Assistant | 71 Good |
| 2017 | Thor: Ragnarok | Sound | Sound Re-Recording Assistant | 75 Good |
| 2017 | Unicorn Store | Sound | Sound Re-Recording Mixer | 58 Average |
| 2017 | Hired Gun | Sound | Sound Effects Editor | 59 Average |
| 2017 | Hired Gun | Sound | Sound Re-Recording Assistant | 59 Average |
| 2017 | Despicable Me 3 | Sound | Sound Re-Recording Assistant | 64 Fair |
| 2017 | Voice from the Stone | Sound | Sound Re-Recording Assistant | 57 Average |
| 2017 | Kong: Skull Island | Sound | Sound Re-Recording Assistant | 64 Fair |
| 2017 | Burning Sands | Sound | Sound Re-Recording Assistant | 58 Average |
| 2016 | The Great Wall | Sound | Sound Re-Recording Assistant | 59 Average |
| 2016 | Rogue One: A Star Wars Story | Sound | Sound Re-Recording Assistant | 74 Good |
| 2016 | Doctor Strange | Sound | Sound Re-Recording Assistant | 73 Good |
| 2016 | Transpecos | Sound | Sound Re-Recording Assistant | 58 Average |
| 2016 | Ice Age: Collision Course | Sound | Sound Re-Recording Assistant | 60 Fair |
| 2016 | Now You See Me 2 | Sound | Sound Recordist | 67 Fair |
| 2016 | Money Monster | Sound | Sound Re-Recording Assistant | 63 Fair |
| 2016 | Rudy & Des | Sound | Sound Editor | N/A N/A |
| 2016 | Captain America: Civil War | Sound | Sound Re-Recording Assistant | 73 Good |
| 2016 | Author: The JT LeRoy Story | Sound | Sound Re-Recording Assistant | 59 Average |
| 2015 | The Benefactor | Sound | Sound Re-Recording Assistant | 55 Average |
| 2015 | The Peanuts Movie | Sound | Sound Re-Recording Assistant | 66 Fair |
| 2015 | The Walk | Sound | Sound Mix Technician | 68 Fair |
| 2015 | Ant-Man | Sound | Sound Re-Recording Assistant | 70 Good |
| 2015 | Golden Kingdom | Sound | Sound Re-Recording Assistant | 58 Average |
| 2015 | The Mask You Live In | Sound | Sound Re-Recording Assistant | 61 Fair |
| 2014 | Marvel: 75 Years, from Pulp to Pop! | Sound | Sound Re-Recording Assistant | 59 Average |
| 2014 | Space Station 76 | Sound | Sound Re-Recording Assistant | 55 Average |
| 2014 | Guardians of the Galaxy | Sound | Sound Re-Recording Assistant | 78 Good |
| 2014 | The Raid 2 | Sound | Sound Re-Recording Assistant | 73 Good |
| 2014 | Rio 2 | Sound | Sound Re-Recording Assistant | 64 Fair |
| 2014 | Infinitely Polar Bear | Sound | Sound Re-Recording Assistant | 61 Fair |
| 2013 | Sea Horse | Sound | Sound Recordist | 58 Average |
| 2013 | Free Birds | Sound | Sound Recordist | 58 Average |
| 2013 | Finding Neighbors | Sound | Sound Recordist | 58 Average |
| 2013 | All Is Lost | Sound | Sound Recordist | 64 Fair |
| 2013 | The Square | Sound | Sound Recordist | 62 Fair |
| 2013 | Epic | Sound | Sound Recordist | 64 Fair |
| 2013 | Star Trek Into Darkness | Sound | Sound Recordist | 72 Good |
| 2013 | Los Wild Ones | Sound | Sound Recordist | 58 Average |