About
John Warrin
Overview
No biography available
Known for
Sound |
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| 2025 | Lurker | Sound | Supervising Sound Editor | N/A N/A |
| 2025 | Lurker | Sound | Sound Re-Recording Mixer | N/A N/A |
| 2025 | Lurker | Sound | Sound Designer | N/A N/A |
| 2024 | The Gutter | Sound | Sound Re-Recording Mixer | 58 Average |
| 2024 | Anora | Sound | Sound Designer | 66 Fair |
| 2024 | Anora | Sound | Supervising Sound Editor | 66 Fair |
| 2024 | Anora | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2024 | Strange Darling | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2024 | Strange Darling | Sound | Sound Designer | 63 Fair |
| 2024 | Strange Darling | Sound | Sound Supervisor | 63 Fair |
| 2024 | Little Death | Sound | Supervising Sound Editor | 58 Average |
| 2024 | Little Death | Sound | Sound Designer | 58 Average |
| 2024 | Little Death | Sound | Sound Re-Recording Mixer | 58 Average |
| 2023 | Backbone | Sound | Supervising Sound Editor | N/A N/A |
| 2023 | Fair Play | Sound | Sound Designer | 61 Fair |
| 2023 | Fair Play | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2023 | Maggie Moore(s) | Sound | Sound Re-Recording Mixer | 58 Average |
| 2023 | Maggie Moore(s) | Sound | Supervising Sound Editor | 58 Average |
| 2023 | Maggie Moore(s) | Sound | Sound Designer | 58 Average |
| 2022 | Dead for a Dollar | Sound | Sound Re-Recording Mixer | 58 Average |
| 2021 | Red Rocket | Sound | Supervising Sound Editor | 63 Fair |
| 2021 | Red Rocket | Sound | Sound Designer | 63 Fair |
| 2021 | Red Rocket | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2021 | Tig Notaro: Drawn | Sound | Sound Re-Recording Mixer | 59 Average |
| 2021 | Tig Notaro: Drawn | Sound | Supervising Sound Editor | 59 Average |
| 2020 | The Real Right Stuff | Sound | Supervising Sound Editor | 58 Average |
| 2020 | Disclosure | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2019 | Hair Love | Sound | Sound Designer | 67 Fair |
| 2019 | Hair Love | Sound | Sound Mixer | 67 Fair |
| 2019 | Trespassers | Sound | Sound Re-Recording Mixer | 58 Average |
| 2019 | The Meanest Man in Texas | Sound | Recording Supervision | 59 Average |
| 2019 | Extremely Wicked, Shockingly Evil and Vile | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2018 | Gotti | Sound | Sound Re-Recording Mixer | 55 Average |
| 2017 | Bottom of the World | Sound | Sound Effects Editor | 57 Average |
| 2017 | Bottom of the World | Sound | Sound Designer | 57 Average |
| 2017 | Bottom of the World | Sound | Sound Re-Recording Mixer | 57 Average |
| 2017 | Bottom of the World | Sound | Supervising Sound Editor | 57 Average |
| 2016 | Spa Night | Sound | Sound Re-Recording Mixer | 59 Average |
| 2016 | Spa Night | Sound | Sound Designer | 59 Average |
| 2016 | Spa Night | Sound | Supervising Sound Editor | 59 Average |
| 2015 | Kobe Bryant's Muse | Sound | Sound Effects Editor | 59 Average |
| 2015 | Kobe Bryant's Muse | Sound | Sound Designer | 59 Average |
| 2014 | Atlas Shrugged: Part III | Sound | Sound Effects Editor | 56 Average |
| 2013 | The Crown and the Dragon | Sound | Supervising Sound Editor | 58 Average |
| 2013 | Blackfish | Sound | Sound Designer | 72 Good |
| 2012 | Jeff Ross Roasts America | Sound | Music Producer | 59 Average |
| 2011 | Woody Allen: A Documentary | Sound | Sound Effects Editor | 61 Fair |
| 2008 | Bamimation | Sound | ADR Recording Engineer | N/A N/A |
| 2005 | Patriot Act | Sound | Sound Re-Recording Mixer | 59 Average |
| 2005 | Patriot Act | Sound | Music | 59 Average |
| 2005 | Patriot Act | Sound | Supervising Sound Editor | 59 Average |
| 2005 | Patriot Act | Sound | Sound Effects Editor | 59 Average |
| 1999 | Love God | Sound | Music | 59 Average |