About
Jo Caron
Overview
Jocelyn "Jo" Caron is a Canadian production sound mixer. In 2008, was nominated in the 28th Genie Awards for a Genie Award for Best Achievement in Overall Sound for Shake Hands with the Devil (shared with Eric Fitz, Gavin Fernandes, Benoit Leduc).
Source: Article "Jo Caron" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known for
Sound |
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| 2024 | The Gutter | Sound | Foley Recordist | N/A N/A |
| 2024 | Anora | Sound | Foley Mixer | 63 Fair |
| 2024 | Strange Darling | Sound | Foley Mixer | 62 Fair |
| 2024 | The Watchers | Sound | Foley Mixer | 62 Fair |
| 2024 | Turtles | Sound | Foley Mixer | 59 Average |
| 2023 | Dream Scenario | Sound | Foley Mixer | 63 Fair |
| 2022 | After Yang | Sound | Foley Mixer | 61 Fair |
| 2022 | Destination Love | Sound | Sound Engineer | 59 Average |
| 2021 | Love Knots | Sound | Foley Recording Engineer | 58 Average |
| 2021 | The Secret Sauce | Sound | Foley Recording Engineer | 59 Average |
| 2021 | Sweet as Maple Syrup | Sound | Sound Engineer | 59 Average |
| 2021 | Red Rocket | Sound | Foley Mixer | 63 Fair |
| 2021 | CODA | Sound | Foley Recordist | 75 Good |
| 2020 | Wander Darkly | Sound | Foley Mixer | 59 Average |
| 2020 | Freaky | Sound | Foley Mixer | 64 Fair |
| 2020 | Target Number One | Sound | Foley Mixer | 59 Average |
| 2019 | Trouble | Sound | Foley Recording Engineer | 61 Fair |
| 2019 | Epic Yellowstone | Sound | Foley Mixer | 70 Good |
| 2019 | Piercing | Sound | Foley Mixer | 58 Average |
| 2019 | Piercing | Sound | Foley Artist | 58 Average |
| 2017 | The Disappearance | Sound | Foley Recording Engineer | 71 Good |
| 2016 | 20th Century Women | Sound | Foley | 68 Fair |
| 2016 | It's Only the End of the World | Sound | Foley Mixer | 68 Fair |
| 2016 | Captain Fantastic | Sound | Foley | 77 Good |
| 2016 | The Veil | Sound | Foley | 55 Average |
| 2015 | Craspec | Sound | Foley Artist | 59 Average |
| 2015 | Snowtime! | Sound | Foley Recordist | 59 Average |
| 2015 | Blackburn | Sound | ADR & Dubbing | 58 Average |
| 2014 | Tokyo Fiancée | Sound | Foley Mixer | 59 Average |
| 2014 | Mommy | Sound | Foley Mixer | 78 Good |
| 2013 | Dallas Buyers Club | Sound | Foley Recording Engineer | 77 Good |
| 2012 | No Tell Motel | Sound | Foley Mixer | 58 Average |
| 2010 | Incendies | Sound | Foley | 77 Good |
| 2010 | Piranha 3D | Sound | Foley Recordist | 54 Average |
| 2009 | Gamer | Sound | Foley Recordist | 57 Average |
| 2009 | A Perfect Getaway | Sound | Foley Recordist | 61 Fair |
| 2009 | Crank: High Voltage | Sound | Foley Recordist | 60 Fair |
| 2007 | Framed for Murder | Sound | Sound Recordist | 58 Average |
| 2004 | Pinocchio 3000 | Sound | Foley Artist | 55 Average |
| 2001 | Lost and Delirious | Sound | Foley Recordist | 63 Fair |
| 1999 | The Old Man and the Sea | Sound | ADR Recordist | 62 Fair |
| 1997 | Heads or Tails | Sound | Sound Recordist | 59 Average |
| 1995 | The Confessional | Sound | Foley Recordist | 59 Average |
| 1989 | Juke-Bar | Sound | Foley Recordist | 58 Average |
| 1987 | The Young Magician | Sound | Sound | 58 Average |
| The Toaster | Sound | Foley Mixer | N/A N/A |
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