About
Miguel Ortega
Overview
No biography available
Known for
Directing |
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2022 | The Voice in the Hollow | Directing | Director | 59 Average |
2017 | The Ningyo | Directing | Director | 59 Average |
2012 | The Green Ruby Pumpkin | Directing | Director | 59 Average |
Writing |
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2022 | The Voice in the Hollow | Writing | Writer | 59 Average |
2017 | The Ningyo | Writing | Story | 59 Average |
2017 | The Ningyo | Writing | Writer | 59 Average |
2012 | The Green Ruby Pumpkin | Writing | Writer | 59 Average |
Production |
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2022 | The Voice in the Hollow | Production | Producer | 59 Average |
2017 | The Ningyo | Production | Producer | 59 Average |
2017 | The Ningyo | Production | Executive Producer | 59 Average |
2012 | The Green Ruby Pumpkin | Production | Producer | 59 Average |
Crew |
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2022 | The Voice in the Hollow | Crew | Motion Capture Artist | 59 Average |
Editing |
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2022 | The Voice in the Hollow | Editing | Editor | 59 Average |
2012 | The Green Ruby Pumpkin | Editing | Editor | 59 Average |
Visual Effects |
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2022 | The Voice in the Hollow | Visual Effects | Visual Effects | 59 Average |
2020 | The Man in the Woods | Visual Effects | Visual Effects | 58 Average |
2017 | The Ningyo | Visual Effects | Visual Effects Supervisor | 59 Average |
2011 | Priest | Visual Effects | 3D Modeller | 58 Average |
2007 | 300 | Visual Effects | Modeling | 71 Good |
2006 | Superman Returns | Visual Effects | 3D Modeller | 57 Average |
2006 | Silent Hill | Visual Effects | 3D Modeller | 65 Fair |
2006 | Underworld: Evolution | Visual Effects | Modeling | 65 Fair |
2005 | The Cave | Visual Effects | 3D Modeller | 55 Average |