About
Luis Moglia Barth
Overview
Luis José Moglia Barth (1903–1984) was a film director and screenwriter who directed numerous films in the early stages of Argentine cinema, including ¡Tango! (1933), considered the first Argentine sound feature film.
Known for
Directing |
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1954 | Dringue, Castrito y la lámpara de Aladino | Directing | Director | N/A N/A |
1953 | Intermezzo criminal | Directing | Director | N/A N/A |
1951 | La mujer puede y debe votar | Directing | Director | N/A N/A |
1950 | La doctora Castañuelas | Directing | Director | N/A N/A |
1950 | La fuerza ciega | Directing | Director | N/A N/A |
1950 | Don't Tell Me Goodbye | Directing | Director | N/A N/A |
1950 | La campana nueva | Directing | Director | N/A N/A |
1949 | Edición extra | Directing | Director | N/A N/A |
1948 | Juan Moreira | Directing | Director | N/A N/A |
1947 | La senda oscura | Directing | Director | N/A N/A |
1946 | María Rosa | Directing | Director | 58 Average |
1944 | Romance de medio siglo | Directing | Director | N/A N/A |
1942 | Ponchos azules | Directing | Director | N/A N/A |
1942 | Cruza | Directing | Director | N/A N/A |
1941 | Boina blanca | Directing | Director | N/A N/A |
1941 | Fortín alto | Directing | Director | N/A N/A |
1941 | Hogar, dulce hogar | Directing | Director | 58 Average |
1940 | Con el dedo en el gatillo | Directing | Director | 58 Average |
1940 | Confesión | Directing | Director | 58 Average |
1940 | Huella | Directing | Director | N/A N/A |
1939 | Una mujer de la calle | Directing | Director | N/A N/A |
1939 | Doce mujeres | Directing | Director | N/A N/A |
1938 | Senderos de fe | Directing | Director | N/A N/A |
1938 | El último encuentro | Directing | Director | N/A N/A |
1937 | Melodías porteñas | Directing | Director | N/A N/A |
1937 | La casa de Quirós | Directing | Director | 58 Average |
1937 | Melgarejo | Directing | Director | N/A N/A |
1936 | ¡Goal! | Directing | Director | 58 Average |
1936 | Santos Vega | Directing | Director | N/A N/A |
1936 | Amalia | Directing | Director | N/A N/A |
1935 | Picaflor | Directing | Director | N/A N/A |
1934 | Riachuelo | Directing | Director | 58 Average |
1933 | Dancing | Directing | Director | N/A N/A |
1933 | ¡Tango! | Directing | Director | N/A N/A |
1932 | Tango Advice | Directing | Director | N/A N/A |
1928 | Aphrodite | Directing | Director | N/A N/A |
1928 | El 90 | Directing | Director | N/A N/A |
1927 | Puños, chárleston y besos | Directing | Director | N/A N/A |
Writing |
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1950 | La doctora Castañuelas | Writing | Writer | N/A N/A |
1950 | La fuerza ciega | Writing | Writer | N/A N/A |
1942 | Cruza | Writing | Writer | N/A N/A |
1941 | Boina blanca | Writing | Writer | N/A N/A |
1941 | Hogar, dulce hogar | Writing | Writer | 58 Average |
1940 | Confesión | Writing | Writer | 58 Average |
1938 | Senderos de fe | Writing | Writer | N/A N/A |
1937 | Melodías porteñas | Writing | Writer | N/A N/A |
1937 | La casa de Quirós | Writing | Writer | 58 Average |
1937 | Melgarejo | Writing | Writer | N/A N/A |
1936 | Amalia | Writing | Writer | N/A N/A |
1935 | Picaflor | Writing | Writer | N/A N/A |
1934 | Riachuelo | Writing | Writer | 58 Average |
1933 | Dancing | Writing | Writer | N/A N/A |
1933 | ¡Tango! | Writing | Writer | N/A N/A |
1928 | Aphrodite | Writing | Writer | N/A N/A |
Production |
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1953 | Intermezzo criminal | Production | Producer | N/A N/A |
Editing |
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1942 | Ponchos azules | Editing | Editor | N/A N/A |