
About
Juan Peralta
Overview
Juan Peralta's successful career as a sound re-recording mixer can be traced back to his fascination with Jurassic Park and its incredible range of sound effects. He knew right then that creating sound for films was his calling.
After graduating Full Sail’s Recording Arts programme, he relocated to Los Angeles, interning and then signing on as a sound technician at post-production studio EFX. Following that, a recommendation from fellow Hall of Fame inductee Gary Rizzo helped Juan land a job at Skywalker Sound. In fact, his first role at Skywalker was as Gary Rydstrom's assistant—the sound designer and re-recording mixer for Jurassic Park.
At Skywalker, Juan has earned credits as a mix-tech on more than 100 film, TV, and video game titles. He made the jump to becoming a recording mixer in 2008 and has mixed on over 30 films, including Avengers: Infinity War, Doctor Strange, Thor: Ragnarok, Miss Peregrine’s Home for Peculiar Children, and Captain America: The Winter Soldier. In 2009, he won the Best Sound Editing Award from the Motion Picture Sound Editors (MPSE) for his work on WALL<0xCD><0xBD>E, and his work on Doctor Strange and The Grinch earned a coveted CAS nomination.
Known for
Sound |
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2025 | F1 | Sound | Sound Re-Recording Mixer | 73 Good |
2025 | The Electric State | Sound | Sound Re-Recording Mixer | 63 Fair |
2024 | Agatha All Along | Sound | Sound Re-Recording Mixer | 75 Good |
2024 | Transformers One | Sound | Sound Re-Recording Mixer | 74 Good |
2023 | Indiana Jones and the Dial of Destiny | Sound | Sound Re-Recording Mixer | 64 Fair |
2023 | Spider-Man: Across the Spider-Verse | Sound | Sound Re-Recording Mixer | 81 Very good |
2023 | The Super Mario Bros. Movie | Sound | Sound Re-Recording Mixer | 75 Good |
2022 | Glass Onion: A Knives Out Mystery | Sound | Sound Re-Recording Mixer | 69 Fair |
2022 | Werewolf by Night | Sound | Sound Re-Recording Mixer | 67 Fair |
2022 | Doctor Strange in the Multiverse of Madness | Sound | Sound Re-Recording Mixer | 71 Good |
2021 | Sing 2 | Sound | Sound Re-Recording Mixer | 76 Good |
2021 | Eternals | Sound | Sound Re-Recording Mixer | 67 Fair |
2021 | Black Widow | Sound | Sound Re-Recording Mixer | 71 Good |
2021 | Riverdance: The Animated Adventure | Sound | Sound Re-Recording Mixer | 58 Average |
2020 | Come Away | Sound | Sound Re-Recording Mixer | 58 Average |
2020 | Onward | Sound | Sound Re-Recording Mixer | 75 Good |
2019 | Ad Astra | Sound | Additional Sound Re-Recording Mixer | 61 Fair |
2019 | Avengers: Endgame | Sound | Sound Re-Recording Mixer | 81 Very good |
2019 | The Wolf's Call | Sound | Sound Re-Recording Mixer | 72 Good |
2018 | The Grinch | Sound | Sound Re-Recording Mixer | 67 Fair |
2018 | Ant-Man and the Wasp | Sound | Sound Re-Recording Mixer | 68 Fair |
2018 | Avengers: Infinity War | Sound | Sound Re-Recording Mixer | 81 Very good |
2017 | Thor: Ragnarok | Sound | Sound Re-Recording Mixer | 75 Good |
2017 | Valerian and the City of a Thousand Planets | Sound | Sound Re-Recording Mixer | 65 Fair |
2016 | Frank & Lola | Sound | Sound Re-Recording Mixer | 58 Average |
2016 | Doctor Strange | Sound | Sound Re-Recording Mixer | 73 Good |
2016 | Miss Peregrine's Home for Peculiar Children | Sound | Sound Re-Recording Mixer | 67 Fair |
2016 | Captain America: Civil War | Sound | Sound Re-Recording Mixer | 74 Good |
2016 | Touched with Fire | Sound | Sound Re-Recording Mixer | 58 Average |
2015 | Star Wars: The Force Awakens | Sound | Additional Sound Re-Recording Mixer | 72 Good |
2015 | Ant-Man | Sound | Sound Re-Recording Mixer | 70 Good |
2015 | Jurassic World | Sound | Sound Re-Recording Mixer | 66 Fair |
2015 | Tomorrowland | Sound | Sound Re-Recording Mixer | 62 Fair |
2015 | Jupiter Ascending | Sound | Sound Re-Recording Mixer | 54 Average |
2015 | Strange Magic | Sound | Sound Re-Recording Mixer | 65 Fair |
2014 | Captain America: The Winter Soldier | Sound | Sound Re-Recording Mixer | 76 Good |
2013 | Thor: The Dark World | Sound | Sound Re-Recording Mixer | 64 Fair |
2013 | Oblivion | Sound | Sound Re-Recording Mixer | 66 Fair |
2012 | The Company You Keep | Sound | Sound Re-Recording Mixer | 60 Fair |
2012 | ParaNorman | Sound | Sound Re-Recording Mixer | 68 Fair |
2012 | John Carter | Sound | Sound Re-Recording Mixer | 63 Fair |
2012 | Red Tails | Sound | Sound Re-Recording Mixer | 62 Fair |
2011 | War Horse | Sound | Additional Sound Re-Recording Mixer | 71 Good |
2011 | Mission: Impossible - Ghost Protocol | Sound | Additional Sound Re-Recording Mixer | 70 Good |
2011 | The Art of Flight | Sound | Sound Re-Recording Mixer | 63 Fair |
2011 | Super 8 | Sound | Additional Sound Re-Recording Mixer | 67 Fair |
2011 | Pirates of the Caribbean: On Stranger Tides | Sound | Additional Sound Re-Recording Mixer | 65 Fair |
2011 | The Conspirator | Sound | Sound Re-Recording Mixer | 62 Fair |
2011 | Rio | Sound | Additional Sound Re-Recording Mixer | 66 Fair |
2011 | Drive Angry | Sound | Sound Re-Recording Mixer | 55 Average |
2011 | Miss Representation | Sound | Sound Re-Recording Mixer | 60 Fair |
2010 | TRON: Legacy | Sound | Additional Sound Re-Recording Mixer | 64 Fair |
2010 | The Prankster | Sound | Additional Sound Re-Recording Mixer | 58 Average |
2009 | Avatar | Sound | Additional Sound Re-Recording Mixer | 75 Good |
2009 | Where the Wild Things Are | Sound | Sound Re-Recording Mixer | 63 Fair |
2009 | I Love You, Beth Cooper | Sound | Sound Mixer | 59 Average |
2009 | Fanboys | Sound | Sound Re-Recording Mixer | 60 Fair |
2008 | Star Wars: The Clone Wars | Sound | Sound Re-Recording Mixer | 60 Fair |
2008 | Star Wars: The Clone Wars | Sound | Sound Mixer | 60 Fair |
2008 | WALL·E | Sound | Foley Editor | 80 Very good |
2008 | Speed & Angels | Sound | Sound Re-Recording Mixer | 58 Average |
2007 | There Will Be Blood | Sound | Sound Re-Recording Assistant | 79 Good |
2007 | Ratatouille | Sound | Sound Re-Recording Assistant | 77 Good |
2006 | Pirates of the Caribbean: Dead Man's Chest | Sound | Sound Re-Recording Assistant | 73 Good |
2006 | Cars | Sound | Sound Re-Recording Assistant | 69 Fair |
2006 | Cars | Sound | Sound Mix Technician | 69 Fair |
2006 | Over the Hedge | Sound | Sound Mix Technician | 65 Fair |
2006 | Over the Hedge | Sound | Sound Re-Recording Assistant | 65 Fair |
2006 | The Fall of Fujimori | Sound | Sound Re-Recording Mixer | 59 Average |
2005 | Feast | Sound | Sound Re-Recording Mixer | 60 Fair |
2005 | Reel Paradise | Sound | Sound Re-Recording Mixer | 59 Average |
2005 | Star Wars: Episode III - Revenge of the Sith | Sound | Sound Mix Technician | 73 Good |
2004 | The Incredibles | Sound | Sound Mix Technician | 76 Good |
2004 | Hellboy | Sound | Sound Mix Technician | 66 Fair |
2004 | Ghost in the Shell 2: Innocence | Sound | Sound Designer | 68 Fair |
2004 | Pretty Dead Girl | Sound | Sound Re-Recording Mixer | 59 Average |
2003 | Testosterone | Sound | Sound Re-Recording Mixer | 58 Average |
2003 | Finding Nemo | Sound | Sound Mix Technician | 77 Good |
2002 | The Ring | Sound | Sound Mix Technician | 66 Fair |
2002 | Amandla! A Revolution in Four-Part Harmony | Sound | Sound Mix Technician | 59 Average |
2002 | Minority Report | Sound | Sound Mix Technician | 72 Good |
2002 | Star Wars: Episode II - Attack of the Clones | Sound | Sound Mix Technician | 65 Fair |
2001 | Monsters, Inc. | Sound | Sound Mix Technician | 77 Good |
2001 | Atlantis: The Lost Empire | Sound | Sound Mix Technician | 68 Fair |
1999 | The Haunting | Sound | Sound Mix Technician | 55 Average |
1999 | Lake Placid | Sound | Sound Mix Technician | 58 Average |
1999 | Babylon 5: A Call to Arms | Sound | Sound Re-Recording Mixer | 60 Fair |
1998 | Brown's Requiem | Sound | Sound Re-Recording Assistant | 58 Average |
1998 | Full Tilt Boogie | Sound | Additional Sound Re-Recording Mixer | 59 Average |
1997 | Sub Down | Sound | Sound Re-Recording Assistant | 58 Average |
1997 | A Better Place | Sound | Sound Re-Recording Mixer | 58 Average |
Crew |
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2007 | Aqua Teen Hunger Force Colon Movie Film for Theaters | Crew | Mix Technician | 59 Average |
2006 | Pirates of the Caribbean: Dead Man's Chest | Crew | Mix Technician | 73 Good |