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About
J. Roy Hunt
Overview
From Wikipedia
J. Roy Hunt (July 7, 1884 Caperton, West Virginia – October 1972 Sheffield, Alabama) born John Roy Hunt was an American motion picture cameraman and cinematographer. His career began around the time of World War I and continued to the 1950s. Hunt served as director of cinematography on numerous films, such as Beau Geste, A Kiss for Cinderella, Flying Down to Rio, and She.
Known for
Camera |
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1953 | The Juggler | Camera | Director of Photography | 58 Average |
1952 | Eight Iron Men | Camera | Director of Photography | 58 Average |
1952 | Desert Passage | Camera | Director of Photography | 58 Average |
1952 | Target | Camera | Director of Photography | 59 Average |
1952 | Road Agent | Camera | Director of Photography | 59 Average |
1951 | Overland Telegraph | Camera | Director of Photography | 59 Average |
1951 | Pistol Harvest | Camera | Director of Photography | 58 Average |
1951 | Gunplay | Camera | Director of Photography | 59 Average |
1951 | Saddle Legion | Camera | Director of Photography | 59 Average |
1950 | Rio Grande Patrol | Camera | Director of Photography | 59 Average |
1950 | Border Treasure | Camera | Director of Photography | 59 Average |
1950 | The Lawless | Camera | Director of Photography | 58 Average |
1950 | Kill or Be Killed | Camera | Director of Photography | 59 Average |
1950 | Storm Over Wyoming | Camera | Director of Photography | 59 Average |
1950 | Riders of the Range | Camera | Director of Photography | 59 Average |
1949 | Mighty Joe Young | Camera | Director of Photography | 59 Average |
1949 | Rustlers | Camera | Director of Photography | 58 Average |
1949 | Brothers in the Saddle | Camera | Director of Photography | 58 Average |
1948 | Gun Smugglers | Camera | Director of Photography | N/A N/A |
1948 | Indian Agent | Camera | Director of Photography | 59 Average |
1948 | Race Street | Camera | Director of Photography | 59 Average |
1948 | Return of the Bad Men | Camera | Director of Photography | 59 Average |
1948 | The Arizona Ranger | Camera | Director of Photography | 58 Average |
1947 | Crossfire | Camera | Director of Photography | 60 Fair |
1947 | Under the Tonto Rim | Camera | Director of Photography | 59 Average |
1947 | A Likely Story | Camera | Director of Photography | 58 Average |
1947 | The Devil Thumbs a Ride | Camera | Director of Photography | 59 Average |
1947 | Trail Street | Camera | Director of Photography | 59 Average |
1946 | Black Beauty | Camera | Director of Photography | 59 Average |
1945 | A Game of Death | Camera | Director of Photography | 59 Average |
1945 | The Brighton Strangler | Camera | Director of Photography | 59 Average |
1945 | What a Blonde | Camera | Director of Photography | 58 Average |
1944 | Heavenly Days | Camera | Director of Photography | N/A N/A |
1944 | Action in Arabia | Camera | Director of Photography | 59 Average |
1943 | The Falcon and the Co-Eds | Camera | Director of Photography | 59 Average |
1943 | The Avenging Rider | Camera | Director of Photography | N/A N/A |
1943 | I Walked with a Zombie | Camera | Director of Photography | 61 Fair |
1942 | Red River Robin Hood | Camera | Director of Photography | 59 Average |
1942 | Thundering Hoofs | Camera | Director of Photography | 58 Average |
1942 | Syncopation | Camera | Director of Photography | 59 Average |
1942 | Call Out the Marines | Camera | Director of Photography | 58 Average |
1941 | Parachute Battalion | Camera | Director of Photography | 59 Average |
1941 | They Met in Argentina | Camera | Director of Photography | 58 Average |
1940 | Triple Justice | Camera | Director of Photography | 59 Average |
1940 | I'm Still Alive | Camera | Director of Photography | 59 Average |
1940 | One Crowded Night | Camera | Director of Photography | 59 Average |
1940 | Cross-Country Romance | Camera | Director of Photography | 59 Average |
1940 | Prairie Law | Camera | Director of Photography | 58 Average |
1940 | You Can't Fool Your Wife | Camera | Director of Photography | 58 Average |
1940 | Little Orvie | Camera | Director of Photography | 59 Average |
1940 | The Saint's Double Trouble | Camera | Director of Photography | 58 Average |
1940 | Married and in Love | Camera | Director of Photography | 59 Average |
1939 | Reno | Camera | Director of Photography | 59 Average |
1939 | Full Confession | Camera | Director of Photography | 58 Average |
1939 | In Name Only | Camera | Director of Photography | 60 Fair |
1939 | Panama Lady | Camera | Director of Photography | 58 Average |
1939 | Fixer Dugan | Camera | Director of Photography | 59 Average |
1939 | The Flying Irishman | Camera | Director of Photography | 58 Average |
1939 | Almost a Gentleman | Camera | Director of Photography | 59 Average |
1939 | Boy Slaves | Camera | Director of Photography | 59 Average |
1938 | The Law West of Tombstone | Camera | Director of Photography | 58 Average |
1938 | A Man to Remember | Camera | Director of Photography | 59 Average |
1938 | Room Service | Camera | Director of Photography | 60 Fair |
1938 | Mother Carey's Chickens | Camera | Director of Photography | 58 Average |
1938 | Blond Cheat | Camera | Director of Photography | 58 Average |
1938 | Radio City Revels | Camera | Director of Photography | 59 Average |
1937 | Hitting a New High | Camera | Director of Photography | 58 Average |
1937 | Breakfast for Two | Camera | Director of Photography | 58 Average |
1937 | The Life of the Party | Camera | Director of Photography | 58 Average |
1937 | New Faces of 1937 | Camera | Director of Photography | 58 Average |
1937 | You Can't Buy Luck | Camera | Director of Photography | 58 Average |
1937 | The Man Who Found Himself | Camera | Director of Photography | 59 Average |
1937 | Sea Devils | Camera | Director of Photography | 58 Average |
1936 | That Girl from Paris | Camera | Director of Photography | 59 Average |
1936 | Smartest Girl in Town | Camera | Director of Photography | 59 Average |
1936 | Without Orders | Camera | Director of Photography | 59 Average |
1936 | Walking on Air | Camera | Director of Photography | 59 Average |
1936 | The Bride Walks Out | Camera | Director of Photography | 58 Average |
1936 | The Ex-Mrs. Bradford | Camera | Director of Photography | 58 Average |
1936 | Silly Billies | Camera | Director of Photography | 59 Average |
1936 | Muss 'em Up | Camera | Director of Photography | 59 Average |
1936 | The Lady Consents | Camera | Director of Photography | 59 Average |
1935 | We're Only Human | Camera | Director of Photography | 59 Average |
1935 | Annie Oakley | Camera | Director of Photography | 59 Average |
1935 | The Last Days of Pompeii | Camera | Director of Photography | 58 Average |
1935 | She | Camera | Director of Photography | 58 Average |
1935 | Star of Midnight | Camera | Director of Photography | 58 Average |
1935 | A Dog of Flanders | Camera | Director of Photography | 59 Average |
1934 | The Silver Streak | Camera | Director of Photography | 59 Average |
1934 | Dangerous Corner | Camera | Director of Photography | 59 Average |
1934 | Hat, Coat and Glove | Camera | Director of Photography | 59 Average |
1934 | Let's Try Again | Camera | Director of Photography | 58 Average |
1934 | Finishing School | Camera | Director of Photography | 58 Average |
1934 | The Meanest Gal in Town | Camera | Director of Photography | 59 Average |
1933 | Flying Down to Rio | Camera | Director of Photography | 59 Average |
1933 | Aggie Appleby, Maker of Men | Camera | Director of Photography | 59 Average |
1933 | Double Harness | Camera | Director of Photography | 59 Average |
1933 | Emergency Call | Camera | Director of Photography | 59 Average |
1933 | Oliver Twist | Camera | Director of Photography | 58 Average |
1933 | Lucky Devils | Camera | Director of Photography | 58 Average |
1932 | Men Of America | Camera | Director of Photography | 58 Average |
1932 | The Sport Parade | Camera | Director of Photography | 58 Average |
1932 | The Age of Consent | Camera | Director of Photography | 59 Average |
1932 | The Roadhouse Murder | Camera | Director of Photography | 58 Average |
1932 | Girl Crazy | Camera | Director of Photography | 58 Average |
1931 | Consolation Marriage | Camera | Director of Photography | 58 Average |
1931 | Way Back Home | Camera | Director of Photography | 58 Average |
1931 | Friends and Lovers | Camera | Director of Photography | 58 Average |
1931 | High Stakes | Camera | Director of Photography | 58 Average |
1931 | The Woman Between | Camera | Director of Photography | 58 Average |
1931 | Behind Office Doors | Camera | Director of Photography | 58 Average |
1931 | Beau Ideal | Camera | Director of Photography | 58 Average |
1930 | The Life of the Party | Camera | Director of Photography | 59 Average |
1930 | The Pay-Off | Camera | Director of Photography | 58 Average |
1930 | Leathernecking | Camera | Director of Photography | N/A N/A |
1930 | Lawful Larceny | Camera | Director of Photography | 58 Average |
1930 | Dixiana | Camera | Director of Photography | 58 Average |
1930 | Alias French Gertie | Camera | Director of Photography | 59 Average |
1930 | The Case of Sergeant Grischa | Camera | Director of Photography | 59 Average |
1930 | Love Comes Along | Camera | Director of Photography | 59 Average |
1929 | The Mighty | Camera | Director of Photography | 58 Average |
1929 | The Virginian | Camera | Director of Photography | 58 Average |
1929 | Why Bring That Up? | Camera | Director of Photography | N/A N/A |
1929 | The Dance of Life | Camera | Director of Photography | 59 Average |
1929 | Close Harmony | Camera | Director of Photography | 59 Average |
1928 | Interference | Camera | Director of Photography | 59 Average |
1928 | Forgotten Faces | Camera | Director of Photography | N/A N/A |
1928 | Feel My Pulse | Camera | Director of Photography | 58 Average |
1927 | Rubber Heels | Camera | Director of Photography | N/A N/A |
1926 | The Ace of Cads | Camera | Director of Photography | N/A N/A |
1926 | Beau Geste | Camera | Director of Photography | 59 Average |
1926 | Dancing Mothers | Camera | Director of Photography | 59 Average |
1926 | The American Venus | Camera | Director of Photography | N/A N/A |
1925 | A Kiss for Cinderella | Camera | Director of Photography | 58 Average |
1925 | Lovers in Quarantine | Camera | Camera Operator | N/A N/A |
1925 | The Manicure Girl | Camera | Director of Photography | N/A N/A |
1924 | Trouping with Ellen | Camera | Director of Photography | N/A N/A |
1924 | Her Own Free Will | Camera | Director of Photography | N/A N/A |
1924 | The Rejected Woman | Camera | Director of Photography | 58 Average |
1924 | Second Youth | Camera | Director of Photography | N/A N/A |
1922 | Sherlock Holmes | Camera | Director of Photography | 58 Average |
1922 | Smilin' Through | Camera | Director of Photography | 59 Average |
1921 | Love's Redemption | Camera | Director of Photography | N/A N/A |
1921 | The Wonderful Thing | Camera | Director of Photography | N/A N/A |
1921 | The Sign on the Door | Camera | Director of Photography | N/A N/A |
1921 | The Passion Flower | Camera | Director of Photography | N/A N/A |
1920 | The Branded Woman | Camera | Director of Photography | N/A N/A |
1920 | The Truth | Camera | Director of Photography | N/A N/A |
1916 | War Brides | Camera | Director of Photography | 59 Average |
Crew |
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1948 | Indian Agent | Crew | Cinematography | 59 Average |
1940 | Stage to Chino | Crew | Cinematography | 58 Average |
1933 | Stolen by Gypsies or Beer and Bicycles | Crew | Cinematography | N/A N/A |
1932 | Just a Pain in the Parlor | Crew | Cinematography | 58 Average |
1932 | Big Dame Hunting | Crew | Cinematography | N/A N/A |
1928 | The Fifty-Fifty Girl | Crew | Cinematography | N/A N/A |
1928 | Something Always Happens | Crew | Cinematography | N/A N/A |
1927 | Swim Girl, Swim | Crew | Cinematography | N/A N/A |
1925 | Wild, Wild Susan | Crew | Cinematography | N/A N/A |
1920 | Pagan Love | Crew | Cinematography | N/A N/A |
1917 | The Eternal Sin | Crew | Cinematography | N/A N/A |