About
Philip Clements
Overview
No biography available
Known for
Sound |
||||
2021 | Spider in the Attic | Sound | Recording Supervision | 59 Average |
2019 | Chernobyl | Sound | Foley Mixer | 86 Very good |
2017 | SS-GB | Sound | Foley Editor | 66 Fair |
2016 | To Walk Invisible | Sound | Foley Editor | 60 Fair |
2015 | War Book | Sound | Foley Editor | 58 Average |
2015 | Dragonheart 3: The Sorcerer's Curse | Sound | Foley Editor | 57 Average |
2015 | Roald Dahl's Esio Trot | Sound | Foley Editor | 60 Fair |
2014 | The Game | Sound | Foley Editor | 71 Good |
2014 | Third Person | Sound | Foley Editor | 58 Average |
2014 | Salting the Battlefield | Sound | Foley Editor | 59 Average |
2014 | Turks & Caicos | Sound | Foley Editor | 59 Average |
2014 | Klondike | Sound | Foley Editor | 70 Good |
2012 | Restless | Sound | Foley Editor | 70 Good |
2012 | The Poison Tree | Sound | Foley Editor | 69 Fair |
2012 | Gambit | Sound | Foley Editor | 56 Average |
2011 | Great Expectations | Sound | Foley Editor | 70 Good |
2011 | Page Eight | Sound | Foley Editor | 61 Fair |
2010 | The King's Speech | Sound | Assistant Sound Editor | 76 Good |
2010 | Love and Distrust | Sound | Boom Operator | 57 Average |
2010 | The Summer House | Sound | Boom Operator | 58 Average |