![](https://image.tmdb.org/t/p/original/imsSjaTlhfaN1UMegnPOcZ5Q0PS.jpg)
About
John F. Seitz
Overview
John Francis Seitz, A.S.C. (June 23, 1892 – February 27, 1979) was an American cinematographer and inventor. He was nominated for seven Academy Awards.
Seitz's Hollywood career began in 1909 as a lab assistant with the Essanay Film Manufacturing Company in Chicago. He went to work as a lab technician for the American Film Manufacturing Company (known as "Flying A"), also in Chicago. In 1916, during the silent era, he established himself, achieving great successes with the Rudolph Valentino film The Four Horsemen of the Apocalypse (1921).
Highly regarded by director Billy Wilder, Seitz worked with him on the film noirs Double Indemnity (1944), The Lost Weekend (1945), and Sunset Blvd. (1950), receiving Academy Award nominations for each.
In 1929, he served a year as president of the American Society of Cinematographers (A.S.C.) for which he had been a member since 1923. The A.S.C. named its 2002 Heritage Award after Seitz.
Besides one Golden Globe and seven Oscar nominations, he also received the Look Magazine Award for The Lost Weekend, the A.S.C. Award for Sunset Blvd., and was among the winners of the inaugural George Award from the George Eastman House for outstanding contributions to the art of cinema for the years 1915 to 1925.
He retired in 1960 and devoted himself to photographic inventions, for which he held 18 patents. An example of one Seitz invention is the matte shot: a large painting is photographed separately and later added to a scene to expand it, add effects, and/or create a sense of depth in backgrounds. He was also noted for his innovations with low-key lighting, which enhanced the film noir style.
A widower, he married screenwriter Marie Boyle in 1934 who raised his daughter Margaret Alice Marhoefer and later gave birth to a son, John Lawrence Seitz.
Known for
Camera |
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1960 | Guns of the Timberland | Camera | Director of Photography | 58 Average |
1959 | The Man in the Net | Camera | Director of Photography | 58 Average |
1959 | Island of Lost Women | Camera | Director of Photography | 58 Average |
1958 | The Badlanders | Camera | Director of Photography | 59 Average |
1958 | The Deep Six | Camera | Director of Photography | 58 Average |
1957 | The Big Land | Camera | Director of Photography | 59 Average |
1956 | A Cry in the Night | Camera | Director of Photography | 58 Average |
1956 | Santiago | Camera | Director of Photography | 58 Average |
1955 | Hell on Frisco Bay | Camera | Director of Photography | 58 Average |
1955 | The McConnell Story | Camera | Director of Photography | 58 Average |
1955 | Many Rivers to Cross | Camera | Director of Photography | 59 Average |
1954 | Rogue Cop | Camera | Director of Photography | 58 Average |
1954 | The Rocket Man | Camera | Director of Photography | 59 Average |
1954 | Saskatchewan | Camera | Director of Photography | 58 Average |
1953 | Fort Algiers | Camera | Director of Photography | 58 Average |
1953 | Desert Legion | Camera | Director of Photography | 58 Average |
1953 | Invaders from Mars | Camera | Director of Photography | 58 Average |
1952 | Botany Bay | Camera | Director of Photography | 59 Average |
1952 | The Iron Mistress | Camera | Director of Photography | 58 Average |
1952 | The Savage | Camera | Director of Photography | 59 Average |
1952 | The San Francisco Story | Camera | Director of Photography | 58 Average |
1951 | Detective Story | Camera | Additional Photography | 61 Fair |
1951 | When Worlds Collide | Camera | Director of Photography | 59 Average |
1951 | Dear Brat | Camera | Director of Photography | 58 Average |
1950 | The Goldbergs | Camera | Director of Photography | 59 Average |
1950 | Sunset Boulevard | Camera | Director of Photography | 79 Good |
1950 | Appointment with Danger | Camera | Director of Photography | 58 Average |
1950 | Captain Carey, U.S.A. | Camera | Director of Photography | 58 Average |
1949 | Chicago Deadline | Camera | Director of Photography | 58 Average |
1949 | The Great Gatsby | Camera | Director of Photography | 58 Average |
1948 | Night Has a Thousand Eyes | Camera | Director of Photography | 59 Average |
1948 | Beyond Glory | Camera | Director of Photography | 58 Average |
1948 | The Big Clock | Camera | Director of Photography | 62 Fair |
1948 | On Our Merry Way | Camera | Director of Photography | 58 Average |
1947 | Saigon | Camera | Director of Photography | 58 Average |
1947 | Wild Harvest | Camera | Director of Photography | N/A N/A |
1946 | Calcutta | Camera | Director of Photography | 58 Average |
1946 | The Imperfect Lady | Camera | Director of Photography | N/A N/A |
1946 | Home Sweet Homicide | Camera | Director of Photography | 58 Average |
1946 | The Well Groomed Bride | Camera | Director of Photography | 58 Average |
1945 | The Lost Weekend | Camera | Director of Photography | 68 Fair |
1945 | The Unseen | Camera | Director of Photography | 58 Average |
1944 | The Miracle of Morgan’s Creek | Camera | Director of Photography | 60 Fair |
1944 | Casanova Brown | Camera | Director of Photography | 59 Average |
1944 | Hail the Conquering Hero | Camera | Director of Photography | 60 Fair |
1944 | Double Indemnity | Camera | Director of Photography | 76 Good |
1944 | The Hour Before the Dawn | Camera | Director of Photography | 59 Average |
1943 | Five Graves to Cairo | Camera | Director of Photography | 61 Fair |
1942 | Lucky Jordan | Camera | Director of Photography | 59 Average |
1942 | The Moon and Sixpence | Camera | Director of Photography | 59 Average |
1942 | This Gun for Hire | Camera | Director of Photography | 61 Fair |
1942 | Fly-By-Night | Camera | Director of Photography | 59 Average |
1941 | Sullivan's Travels | Camera | Director of Photography | 66 Fair |
1940 | Dr. Kildare's Crisis | Camera | Director of Photography | 59 Average |
1940 | A Little Bit of Heaven | Camera | Director of Photography | 58 Average |
1940 | Dr. Kildare's Strange Case | Camera | Director of Photography | 58 Average |
1939 | Let's Talk Turkey | Camera | Director of Photography | 59 Average |
1939 | Bad Little Angel | Camera | Director of Photography | 58 Average |
1939 | Thunder Afloat | Camera | Director of Photography | 59 Average |
1939 | 6,000 Enemies | Camera | Director of Photography | 59 Average |
1939 | Prophet Without Honor | Camera | Director of Photography | 58 Average |
1939 | Sergeant Madden | Camera | Director of Photography | 58 Average |
1939 | The Adventures of Huckleberry Finn | Camera | Director of Photography | 59 Average |
1938 | Young Dr. Kildare | Camera | Director of Photography | 59 Average |
1938 | Stablemates | Camera | Director of Photography | 58 Average |
1938 | The Crowd Roars | Camera | Director of Photography | 59 Average |
1938 | Lord Jeff | Camera | Director of Photography | 59 Average |
1938 | Love Is a Headache | Camera | Director of Photography | 58 Average |
1937 | Navy Blue and Gold | Camera | Director of Photography | 58 Average |
1937 | Madame X | Camera | Director of Photography | 59 Average |
1937 | Between Two Women | Camera | Director of Photography | 59 Average |
1937 | Carnival in Paris | Camera | Director of Photography | 59 Average |
1936 | 15 Maiden Lane | Camera | Director of Photography | 59 Average |
1936 | Poor Little Rich Girl | Camera | Director of Photography | 59 Average |
1936 | Captain January | Camera | Director of Photography | 59 Average |
1936 | The Country Doctor | Camera | Director of Photography | 59 Average |
1935 | The Littlest Rebel | Camera | Director of Photography | 59 Average |
1935 | Navy Wife | Camera | Director of Photography | 59 Average |
1935 | Redheads on Parade | Camera | Director of Photography | N/A N/A |
1935 | Curly Top | Camera | Director of Photography | 59 Average |
1935 | One More Spring | Camera | Director of Photography | 59 Average |
1935 | Helldorado | Camera | Director of Photography | N/A N/A |
1935 | Our Little Girl | Camera | Director of Photography | 58 Average |
1934 | Marie Galante | Camera | Director of Photography | 58 Average |
1934 | Springtime for Henry | Camera | Director of Photography | 58 Average |
1934 | All Men Are Enemies | Camera | Director of Photography | N/A N/A |
1934 | Coming Out Party | Camera | Director of Photography | 58 Average |
1933 | Mr. Skitch | Camera | Director of Photography | 59 Average |
1933 | Paddy the Next Best Thing | Camera | Director of Photography | 58 Average |
1933 | Adorable | Camera | Director of Photography | 58 Average |
1933 | Dangerously Yours | Camera | Director of Photography | N/A N/A |
1933 | Ladies They Talk About | Camera | Director of Photography | 59 Average |
1932 | 6 Hours to Live | Camera | Director of Photography | 58 Average |
1932 | A Passport to Hell | Camera | Director of Photography | 58 Average |
1932 | The Woman in Room 13 | Camera | Director of Photography | N/A N/A |
1932 | Careless Lady | Camera | Director of Photography | 58 Average |
1932 | She Wanted a Millionaire | Camera | Director of Photography | N/A N/A |
1931 | Over the Hill | Camera | Director of Photography | 59 Average |
1931 | The Age for Love | Camera | Director of Photography | N/A N/A |
1931 | Merely Mary Ann | Camera | Director of Photography | N/A N/A |
1931 | Hush Money | Camera | Director of Photography | N/A N/A |
1931 | Men of the Sky | Camera | Director of Photography | N/A N/A |
1931 | Young Sinners | Camera | Director of Photography | N/A N/A |
1931 | Misbehaving Ladies | Camera | Director of Photography | N/A N/A |
1931 | East Lynne | Camera | Director of Photography | 59 Average |
1930 | The Right of Way | Camera | Director of Photography | 58 Average |
1930 | Kismet | Camera | Director of Photography | 58 Average |
1930 | The Bad Man | Camera | Director of Photography | N/A N/A |
1930 | Road to Paradise | Camera | Director of Photography | 58 Average |
1930 | Sweethearts and Wives | Camera | Director of Photography | N/A N/A |
1930 | Back Pay | Camera | Director of Photography | 58 Average |
1930 | Murder Will Out | Camera | Director of Photography | N/A N/A |
1930 | In the Next Room | Camera | Director of Photography | N/A N/A |
1929 | The Painted Angel | Camera | Director of Photography | N/A N/A |
1929 | A Most Immoral Lady | Camera | Director of Photography | 58 Average |
1929 | Her Private Life | Camera | Director of Photography | 58 Average |
1929 | Hard to Get | Camera | Director of Photography | N/A N/A |
1929 | Careers | Camera | Director of Photography | N/A N/A |
1929 | The Squall | Camera | Director of Photography | 58 Average |
1929 | Saturday's Children | Camera | Director of Photography | N/A N/A |
1928 | The Divine Lady | Camera | Director of Photography | 58 Average |
1928 | Adoration | Camera | Director of Photography | N/A N/A |
1928 | Outcast | Camera | Director of Photography | N/A N/A |
1928 | The Patsy | Camera | Director of Photography | 59 Average |
1928 | Across to Singapore | Camera | Director of Photography | 59 Average |
1928 | The Trail of '98 | Camera | Director of Photography | 58 Average |
1927 | The Fair Co-Ed | Camera | Director of Photography | 58 Average |
1926 | The Magician | Camera | Director of Photography | 59 Average |
1926 | Mare Nostrum | Camera | Director of Photography | 59 Average |
1924 | The Price of a Party | Camera | Director of Photography | N/A N/A |
1924 | Classmates | Camera | Director of Photography | N/A N/A |
1924 | The Arab | Camera | Director of Photography | 59 Average |
1923 | Scaramouche | Camera | Director of Photography | 59 Average |
1923 | Where the Pavement Ends | Camera | Director of Photography | N/A N/A |
1922 | Trifling Women | Camera | Director of Photography | 58 Average |
1922 | The Prisoner of Zenda | Camera | Director of Photography | 58 Average |
1922 | Turn to the Right | Camera | Director of Photography | N/A N/A |
1921 | The Conquering Power | Camera | Director of Photography | 59 Average |
1921 | Uncharted Seas | Camera | Director of Photography | 58 Average |
1921 | The Four Horsemen of the Apocalypse | Camera | Director of Photography | 59 Average |
1920 | Hearts Are Trumps | Camera | Director of Photography | N/A N/A |
1920 | Shore Acres | Camera | Director of Photography | 58 Average |
1920 | The Sagebrusher | Camera | Director of Photography | N/A N/A |
1919 | The Westerners | Camera | Director of Photography | N/A N/A |
1918 | Up Romance Road | Camera | Director of Photography | N/A N/A |
1918 | Powers That Prey | Camera | Director of Photography | N/A N/A |
1918 | Beauty and the Rogue | Camera | Director of Photography | N/A N/A |
1917 | The Mate of the Sally Ann | Camera | Director of Photography | N/A N/A |
1917 | A Game of Wits | Camera | Director of Photography | N/A N/A |
1917 | The Bride's Silence | Camera | Director of Photography | N/A N/A |
1917 | Souls in Pawn | Camera | Director of Photography | N/A N/A |
1917 | The Serpent's Tooth | Camera | Director of Photography | 58 Average |
1917 | Whose Wife? | Camera | Director of Photography | N/A N/A |
1916 | The Ranger of Lonesome Gulch | Camera | Director of Photography | N/A N/A |
1916 | The Quagmire | Camera | Director of Photography | N/A N/A |
Crew |
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1942 | Winning Your Wings | Crew | Cinematography | 58 Average |
1939 | Culinary Carving | Crew | Cinematography | N/A N/A |