About
Oliver Scholl
Overview
Oliver Scholl is a Germany born production designer and artist. An avid reader of science-fiction and non-fiction, Oliver's interest in the merging of art, technology and story began in his teens and continues to inform his work today. At the age of 15, Oliver's first of many illustrations were published in the German science fiction series, Perry Rhodan. He studied industrial design while continuing illustration for advertising and publishing. Early development work for film director Roland Emmerich's Stargate (1994) led to Oliver's transition into the motion picture industry and his relocation to Los Angeles in 1991, where Independence Day (1996) marked Scholl's first american production design credit.
Known for
Art |
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2024 | Star Wars: Skeleton Crew | Art | Production Design | N/A N/A |
2021 | Venom: Let There Be Carnage | Art | Production Design | 67 Fair |
2018 | Venom | Art | Production Design | 68 Fair |
2017 | The Dark Tower | Art | Production Design | 57 Average |
2017 | Spider-Man: Homecoming | Art | Production Design | 73 Good |
2016 | Suicide Squad | Art | Production Design | 58 Average |
2015 | The Man from U.N.C.L.E. | Art | Production Design | 70 Good |
2014 | Edge of Tomorrow | Art | Production Design | 75 Good |
2012 | Battleship | Art | Conceptual Illustrator | 58 Average |
2008 | Jumper | Art | Production Design | 61 Fair |
2004 | The Polar Express | Art | Production Illustrator | 66 Fair |
2003 | Bad Boys II | Art | Production Illustrator | 65 Fair |
2002 | The Time Machine | Art | Production Design | 61 Fair |
1998 | Godzilla | Art | Production Design | 56 Average |
1996 | Independence Day | Art | Production Design | 68 Fair |
1994 | Stargate | Art | Conceptual Design | 68 Fair |
1990 | Moon 44 | Art | Production Design | 57 Average |