About
David Watkin
Overview
No biography available
Known for
Acting |
||||
| 2007 | The Beatles: Help! | Actor | Self | 59 Average |
| 2002 | Hell on Earth: The Desecration & Resurrection of The Devils | Actor | Self | 59 Average |
| 2001 | One Continuous Take: Kay Mander's Life in Film | Actor | Himself | N/A N/A |
Camera |
||||
| 2001 | Lover's Prayer | Camera | Director of Photography | 58 Average |
| 1999 | Tea with Mussolini | Camera | Director of Photography | 60 Fair |
| 1999 | Gloria | Camera | Director of Photography | 58 Average |
| 1997 | Critical Care | Camera | Director of Photography | 59 Average |
| 1997 | Obsession | Camera | Director of Photography | 58 Average |
| 1997 | Night Falls on Manhattan | Camera | Director of Photography | 59 Average |
| 1996 | Bogus | Camera | Director of Photography | 58 Average |
| 1996 | Jane Eyre | Camera | Director of Photography | 62 Fair |
| 1994 | Milk Money | Camera | Director of Photography | 60 Fair |
| 1993 | This Boy's Life | Camera | Director of Photography | 66 Fair |
| 1992 | Used People | Camera | Director of Photography | 58 Average |
| 1991 | The Cabinet of Dr. Ramirez | Camera | Director of Photography | 58 Average |
| 1991 | The Object of Beauty | Camera | Director of Photography | 58 Average |
| 1990 | Hamlet | Camera | Director of Photography | 62 Fair |
| 1990 | Memphis Belle | Camera | Director of Photography | 62 Fair |
| 1988 | Last Rites | Camera | Director of Photography | 58 Average |
| 1988 | The Good Mother | Camera | Director of Photography | 58 Average |
| 1988 | Journey to the Center of the Earth | Camera | Director of Photography | 57 Average |
| 1988 | Masquerade | Camera | Director of Photography | 58 Average |
| 1987 | Moonstruck | Camera | Director of Photography | 64 Fair |
| 1985 | Out of Africa | Camera | Director of Photography | 68 Fair |
| 1985 | White Nights | Camera | Director of Photography | 60 Fair |
| 1985 | Return to Oz | Camera | Director of Photography | 64 Fair |
| 1984 | Greystoke: The Legend of Tarzan, Lord of the Apes | Camera | Additional Photography | 60 Fair |
| 1984 | The Hotel New Hampshire | Camera | Director of Photography | 58 Average |
| 1983 | Yentl | Camera | Director of Photography | 61 Fair |
| 1981 | Endless Love | Camera | Director of Photography | 58 Average |
| 1981 | Chariots of Fire | Camera | Director of Photography | 64 Fair |
| 1981 | La Cenerentola | Camera | Director of Photography | 59 Average |
| 1979 | Cuba | Camera | Director of Photography | 58 Average |
| 1979 | Red, White, and Zero | Camera | Director of Photography | 59 Average |
| 1979 | That Summer! | Camera | Director of Photography | 58 Average |
| 1979 | Hanover Street | Camera | Director of Photography | 58 Average |
| 1977 | Jesus of Nazareth | Camera | Director of Photography | 76 Good |
| 1977 | Joseph Andrews | Camera | Director of Photography | 58 Average |
| 1976 | Robin and Marian | Camera | Director of Photography | 60 Fair |
| 1976 | To the Devil a Daughter | Camera | Director of Photography | 58 Average |
| 1975 | Mahogany | Camera | Director of Photography | 59 Average |
| 1974 | The Four Musketeers | Camera | Director of Photography | 60 Fair |
| 1973 | The Three Musketeers | Camera | Director of Photography | 62 Fair |
| 1973 | A Delicate Balance | Camera | Director of Photography | 58 Average |
| 1973 | The Homecoming | Camera | Director of Photography | 58 Average |
| 1971 | The Boy Friend | Camera | Director of Photography | 59 Average |
| 1971 | The Devils | Camera | Director of Photography | 65 Fair |
| 1970 | Catch-22 | Camera | Director of Photography | 61 Fair |
| 1969 | The Bed Sitting Room | Camera | Director of Photography | 58 Average |
| 1968 | The Charge of the Light Brigade | Camera | Director of Photography | 59 Average |
| 1967 | How I Won the War | Camera | Director of Photography | 58 Average |
| 1967 | Marat/Sade | Camera | Director of Photography | 59 Average |
| 1966 | Mademoiselle | Camera | Director of Photography | 59 Average |
| 1965 | Help! | Camera | Director of Photography | 62 Fair |
| 1965 | The Knack... and How to Get It | Camera | Director of Photography | 58 Average |
| 1962 | ...All That Mighty Heart... | Camera | Camera Operator | N/A N/A |
| 1962 | The Signal Engineers | Camera | Director of Photography | N/A N/A |
| 1961 | The Travolators | Camera | Director of Photography | N/A N/A |
| 1960 | They Take the High Road | Camera | Director of Photography | N/A N/A |
| 1959 | Diesel Trainride | Camera | Director of Photography | 59 Average |
| 1959 | The Coasts of Clyde | Camera | Director of Photography | N/A N/A |
| 1959 | Care of St Christopher’s | Camera | Director of Photography | N/A N/A |
| 1958 | Under Night Streets | Camera | Director of Photography | N/A N/A |
| 1957 | Lancashire Coast | Camera | Director of Photography | N/A N/A |
| 1957 | Holiday | Camera | Director of Photography | 59 Average |
| 1957 | Service for Southend | Camera | Camera Operator | N/A N/A |
| 1957 | The England of Elizabeth | Camera | Director of Photography | N/A N/A |
| 1956 | The Long Night Haul | Camera | Director of Photography | N/A N/A |
Crew |
||||
| 1994 | It Is Now Our Time: Peter Sellars’ The Merchant of Venice | Crew | Cinematography | N/A N/A |
| 1964 | Rhythm & Greens | Crew | Cinematography | N/A N/A |
| 1963 | The Six-Sided Triangle | Crew | Cinematography | N/A N/A |