About
George Meehan
Overview
From Wikipedia, the free encyclopedia
George Benjamin Meehan, Jr. (1891–1947) was the cinematographer of more than 150 American films.
Meehan was born on July 19, 1891 in Brooklyn, New York. During World War I he was a cinematographer in the United States Army. He married Louise Harriett Mahoney Meehan (1891–1974), who hailed from Montana.
Meehan was the cinematographer for Mary of the Movies (1923), Ben Hur: A Tale of the Christ (1925), The Ghost Talks (1929) Back to the Woods (1937), The Big Chance (1933), Inside Information (1934), Tarzan’s Revenge (1938), Riders of Black River (1939), The Wildcat of Tucson (1940), and Beyond the Sacramento (1940).
George Meehan died on February 10, 1947 in Hollywood, Los Angeles and was buried in the Forest Lawn Memorial Park of Glendale, California.
Known for
Camera |
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1947 | Bulldog Drummond at Bay | Camera | Director of Photography | 59 Average |
1947 | Blind Spot | Camera | Director of Photography | 58 Average |
1947 | Meet Mr. Mischief | Camera | Director of Photography | N/A N/A |
1946 | Boston Blackie and the Law | Camera | Director of Photography | 59 Average |
1946 | Gallant Journey | Camera | Second Unit Director of Photography | 59 Average |
1946 | Dangerous Business | Camera | Director of Photography | N/A N/A |
1946 | Ain't Love Cuckoo? | Camera | Director of Photography | N/A N/A |
1946 | The Phantom Thief | Camera | Director of Photography | 59 Average |
1946 | Throw a Saddle on a Star | Camera | Director of Photography | N/A N/A |
1945 | Voice of the Whistler | Camera | Director of Photography | 58 Average |
1945 | Blazing the Western Trail | Camera | Director of Photography | 58 Average |
1945 | Boston Blackie's Rendezvous | Camera | Director of Photography | 58 Average |
1945 | Boston Blackie Booked on Suspicion | Camera | Director of Photography | 59 Average |
1945 | Escape in the Fog | Camera | Director of Photography | 58 Average |
1944 | The Mark of the Whistler | Camera | Director of Photography | 58 Average |
1944 | Swing in the Saddle | Camera | Director of Photography | N/A N/A |
1944 | The Black Parachute | Camera | Director of Photography | 59 Average |
1943 | There's Something About a Soldier | Camera | Director of Photography | 58 Average |
1943 | The Desperadoes | Camera | Director of Photography | 58 Average |
1943 | A Maid Made Mad | Camera | Director of Photography | N/A N/A |
1943 | They Stooge to Conga | Camera | Director of Photography | 59 Average |
1942 | Vengeance of the West | Camera | Director of Photography | N/A N/A |
1942 | Bullets for Bandits | Camera | Director of Photography | N/A N/A |
1941 | In the Sweet Pie and Pie | Camera | Director of Photography | 59 Average |
1941 | The Officer and the Lady | Camera | Director of Photography | 59 Average |
1941 | Texas | Camera | Director of Photography | 59 Average |
1941 | Her First Beau | Camera | Director of Photography | 58 Average |
1941 | Black Eyes and Blues | Camera | Director of Photography | N/A N/A |
1940 | Girls of the Road | Camera | Director of Photography | 58 Average |
1940 | The Return of Wild Bill | Camera | Director of Photography | N/A N/A |
1940 | The Man from Tumbleweeds | Camera | Director of Photography | 58 Average |
1940 | Pioneers of the Frontier | Camera | Director of Photography | N/A N/A |
1938 | Gambling Ship | Camera | Director of Photography | N/A N/A |
1938 | The Last Warning | Camera | Director of Photography | N/A N/A |
1938 | Tarzan's Revenge | Camera | Director of Photography | 58 Average |
1937 | Criminals of the Air | Camera | Director of Photography | 58 Average |
1936 | Stampede | Camera | Director of Photography | N/A N/A |
1936 | Alibi for Murder | Camera | Director of Photography | 59 Average |
1936 | Secret Patrol | Camera | Director of Photography | N/A N/A |
1935 | Too Tough to Kill | Camera | Director of Photography | N/A N/A |
1935 | It Always Happens | Camera | Director of Photography | N/A N/A |
1935 | Fighting Shadows | Camera | Director of Photography | 59 Average |
1935 | Square Shooter | Camera | Director of Photography | 59 Average |
1934 | Inside Information | Camera | Director of Photography | 59 Average |
1934 | St. Louis Woman | Camera | Director of Photography | N/A N/A |
1934 | The Moth | Camera | Director of Photography | N/A N/A |
1934 | Public Stenographer | Camera | Director of Photography | 58 Average |
1933 | Ship of Wanted Men | Camera | Director of Photography | 58 Average |
1933 | The Big Chance | Camera | Director of Photography | 58 Average |
1932 | The Heart Punch | Camera | Director of Photography | N/A N/A |
1932 | Show Business | Camera | Director of Photography | 59 Average |
1925 | The Great Sensation | Camera | Director of Photography | N/A N/A |
1925 | Fighting Youth | Camera | Director of Photography | N/A N/A |
Crew |
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1944 | No Dough Boys | Crew | Cinematography | 59 Average |
1944 | Busy Buddies | Crew | Cinematography | 59 Average |
1944 | Crash Goes the Hash | Crew | Cinematography | 59 Average |
1942 | Matri-Phony | Crew | Cinematography | 58 Average |
1939 | Two-Fisted Rangers | Crew | Cinematography | 59 Average |
1939 | Three Sappy People | Crew | Cinematography | 59 Average |
1937 | The Sitter Downers | Crew | Cinematography | 59 Average |
1937 | Back to the Woods | Crew | Cinematography | 58 Average |
1935 | Pardon My Scotch | Crew | Cinematography | 59 Average |
1932 | The Promoter | Crew | Cinematography | N/A N/A |
1920 | Wet and Warmer | Crew | Cinematography | N/A N/A |