About
Harold Lewis
Overview
No biography available
Known for
Sound |
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| 1974 | The Stranger Who Looks Like Me | Sound | Production Sound Mixer | 58 Average |
| 1974 | Pray for the Wildcats | Sound | Production Sound Mixer | 59 Average |
| 1973 | Guess Who's Sleeping in My Bed? | Sound | Sound Editor | 58 Average |
| 1972 | The Strangers in 7A | Sound | Sound Mixer | 59 Average |
| 1972 | Goodnight, My Love | Sound | Sound Mixer | 59 Average |
| 1972 | Haunts of the Very Rich | Sound | Sound Mixer | 58 Average |
| 1971 | The Homecoming: A Christmas Story | Sound | Sound Mixer | 59 Average |
| 1971 | Do Not Fold, Spindle, or Mutilate | Sound | Sound Mixer | 58 Average |
| 1968 | 5 Card Stud | Sound | Sound Recordist | 59 Average |
| 1968 | Rosemary's Baby | Sound | Sound Recordist | 75 Good |
| 1967 | Barefoot in the Park | Sound | Sound Recordist | 65 Fair |
| 1967 | Good Times | Sound | Sound Recordist | 58 Average |
| 1967 | Red Tomahawk | Sound | Sound | 59 Average |
| 1966 | Billy the Kid Versus Dracula | Sound | Sound Engineer | 57 Average |
| 1966 | Johnny Reno | Sound | Sound Recordist | 59 Average |
| 1965 | Boeing, Boeing | Sound | Sound Recordist | 59 Average |
| 1965 | The Sons of Katie Elder | Sound | Sound Recordist | 63 Fair |
| 1964 | Robinson Crusoe on Mars | Sound | Sound Recordist | 59 Average |
| 1963 | The Cardinal | Sound | Sound | 59 Average |
| 1962 | Girls! Girls! Girls! | Sound | Sound Recordist | 58 Average |
| 1962 | Advise & Consent | Sound | Sound | 61 Fair |
| 1962 | My Geisha | Sound | Sound Recordist | 59 Average |
| 1962 | Sergeants 3 | Sound | Sound Mixer | 58 Average |
| 1960 | G.I. Blues | Sound | Sound | 59 Average |
| 1959 | Li'l Abner | Sound | Sound Recordist | 59 Average |
| 1959 | But Not for Me | Sound | Sound Recordist | 59 Average |
| 1959 | Have Rocket, Will Travel | Sound | Sound | 58 Average |
| 1959 | Last Train from Gun Hill | Sound | Sound | 61 Fair |
| 1959 | The Trap | Sound | Sound Recordist | 59 Average |
| 1958 | King Creole | Sound | Sound | 59 Average |
| 1958 | Vertigo | Sound | Sound Recordist | 79 Good |
| 1958 | Hot Spell | Sound | Sound Recordist | 59 Average |
| 1957 | Baby Face Nelson | Sound | Sound Director | 59 Average |
| 1957 | The Sad Sack | Sound | Sound Recordist | 58 Average |
| 1957 | Gunfight at the O.K. Corral | Sound | Sound Recordist | 63 Fair |
| 1957 | Sierra Stranger | Sound | Sound | 58 Average |
| 1956 | The Rainmaker | Sound | Sound Recordist | 59 Average |
| 1956 | The Scarlet Hour | Sound | Sound Recordist | 58 Average |
| 1955 | The Rose Tattoo | Sound | Sound Recordist | 60 Fair |
| 1955 | The Trouble with Harry | Sound | Sound Recordist | 65 Fair |
| 1955 | To Catch a Thief | Sound | Sound Recordist | 69 Fair |
| 1954 | 3 Ring Circus | Sound | Sound Recordist | 58 Average |
| 1954 | Sabrina | Sound | Sound Recordist | 70 Good |
| 1954 | Jivaro | Sound | Sound Recordist | 58 Average |
| 1953 | Those Redheads from Seattle | Sound | Sound Recordist | 58 Average |
| 1953 | Stalag 17 | Sound | Sound Recordist | 68 Fair |
| 1952 | The Atomic City | Sound | Sound Recordist | 58 Average |
| 1951 | Peking Express | Sound | Sound | 59 Average |
| 1951 | Ace in the Hole | Sound | Sound Recordist | 69 Fair |
| 1950 | Copper Canyon | Sound | Sound Recordist | 58 Average |
| 1950 | High Lonesome | Sound | Sound | 58 Average |
| 1950 | Appointment with Danger | Sound | Sound Recordist | 58 Average |
| 1949 | The Great Lover | Sound | Sound Recordist | 59 Average |
| 1949 | Chicago Deadline | Sound | Sound Recordist | 59 Average |
| 1949 | Sorrowful Jones | Sound | Sound Recordist | 59 Average |
| 1947 | Road to Rio | Sound | Sound Recordist | 59 Average |
| 1947 | My Favorite Brunette | Sound | Sound Recordist | 59 Average |
| 1946 | The Strange Love of Martha Ivers | Sound | Sound Recordist | 61 Fair |
| 1946 | O.S.S. | Sound | Sound Recordist | 59 Average |
| 1943 | So Proudly We Hail | Sound | Sound Recordist | 58 Average |
| 1943 | For Whom the Bell Tolls | Sound | Sound Recordist | 60 Fair |
| 1942 | Street of Chance | Sound | Sound Recordist | 58 Average |
| 1942 | The Major and the Minor | Sound | Sound Recordist | 61 Fair |
| 1942 | Night in New Orleans | Sound | Sound Recordist | 58 Average |
| 1941 | Hold Back the Dawn | Sound | Sound Recordist | 59 Average |
| 1941 | The Shepherd of the Hills | Sound | Sound Recordist | 59 Average |
| 1940 | The Ghost Breakers | Sound | Sound Recordist | 59 Average |
| 1940 | The Farmer's Daughter | Sound | Sound | 58 Average |
| 1939 | Rulers of the Sea | Sound | Sound Recordist | 59 Average |
| 1939 | Man About Town | Sound | Sound Recordist | 58 Average |
| 1938 | Illegal Traffic | Sound | Sound | 59 Average |
| 1938 | If I Were King | Sound | Sound | 59 Average |
| 1938 | College Swing | Sound | Sound Recordist | 59 Average |
| 1937 | Wells Fargo | Sound | Sound Recordist | 58 Average |
| 1937 | Artists & Models | Sound | Sound Recordist | N/A N/A |
| 1936 | Easy to Take | Sound | Sound Recordist | N/A N/A |
| 1936 | The Princess Comes Across | Sound | Sound Recordist | 59 Average |
| 1935 | Don't Bet on Blondes | Sound | Original Music Composer | 58 Average |
| 1933 | Torch Singer | Sound | Sound Engineer | 58 Average |
| 1933 | From Hell to Heaven | Sound | Sound | 59 Average |
| 1932 | A Farewell to Arms | Sound | Sound | 59 Average |
| 1932 | 70,000 Witnesses | Sound | Original Music Composer | 58 Average |
| 1932 | Lady with a Past | Sound | Original Music Composer | 59 Average |
| 1932 | Panama Flo | Sound | Original Music Composer | 59 Average |
| 1930 | Tom Sawyer | Sound | Sound Recordist | 59 Average |
| 1930 | Grumpy | Sound | Sound Recordist | 59 Average |
Crew |
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| 1935 | Don't Bet on Blondes | Crew | Additional Music | 58 Average |