About
David Dockendorf
Overview
No biography available
Known for
Sound |
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| 1989 | Chasing dreams | Sound | Sound Mixer | 58 Average |
| 1986 | Down and Out in Beverly Hills | Sound | Sound Re-Recording Mixer | 58 Average |
| 1984 | The Initiation | Sound | Sound Re-Recording Mixer | 58 Average |
| 1984 | Reckless | Sound | Sound Re-Recording Mixer | 58 Average |
| 1983 | Love is Forever | Sound | Sound Post Production Coordinator | 58 Average |
| 1983 | Bad Boys | Sound | ADR & Dubbing | 62 Fair |
| 1983 | Olivia | Sound | Sound Engineer | 58 Average |
| 1982 | I Was a Mail Order Bride | Sound | Sound Re-Recording Mixer | 58 Average |
| 1982 | Honeyboy | Sound | Sound Mixer | N/A N/A |
| 1982 | Starstruck | Sound | Sound Mixer | 58 Average |
| 1981 | Force: Five | Sound | Sound Recordist | 58 Average |
| 1981 | Americana | Sound | Sound Re-Recording Mixer | 59 Average |
| 1980 | Jimmy B. & Andre | Sound | Sound | N/A N/A |
| 1980 | The Big Red One | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1980 | Skag | Sound | Sound Mixer | N/A N/A |
| 1979 | The Muppet Movie | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1979 | Tourist Trap | Sound | Sound Re-Recording Mixer | 59 Average |
| 1978 | Movie Movie | Sound | Sound Mixer | 58 Average |
| 1976 | Lifeguard | Sound | Sound Re-Recording Mixer | 58 Average |
| 1976 | Special Delivery | Sound | Sound Re-Recording Mixer | 58 Average |
| 1976 | Smash-Up on Interstate 5 | Sound | Sound Re-Recording Mixer | 58 Average |
| 1974 | Buster and Billie | Sound | Sound Re-Recording Mixer | 59 Average |
| 1974 | The Parallax View | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1973 | Arnold | Sound | Sound | 58 Average |
| 1973 | The Last of Sheila | Sound | Sound Mixer | 61 Fair |
| 1973 | Terror in the Wax Museum | Sound | Sound Re-Recording Mixer | 58 Average |
| 1973 | Walking Tall | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1972 | Ben | Sound | Sound Recordist | 58 Average |
| 1972 | Play It Again, Sam | Sound | Sound | 67 Fair |
| 1971 | T.R. Baskin | Sound | Sound Recordist | 58 Average |
| 1971 | Le Mans | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1971 | Plaza Suite | Sound | Sound | 58 Average |
| 1971 | A New Leaf | Sound | Sound | 62 Fair |
| 1970 | Myra Breckinridge | Sound | Sound | 57 Average |
| 1970 | Beneath the Planet of the Apes | Sound | Sound | 61 Fair |
| 1970 | M*A*S*H | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1970 | The Only Game in Town | Sound | Sound | 59 Average |
| 1969 | John and Mary | Sound | Sound | 59 Average |
| 1969 | Butch Cassidy and the Sundance Kid | Sound | Sound Designer | 72 Good |
| 1969 | Justine | Sound | Sound | 58 Average |
| 1969 | Hard Contract | Sound | Sound | 58 Average |
| 1968 | A Flea In Her Ear | Sound | Sound | 59 Average |
| 1968 | Lady in Cement | Sound | Sound | 59 Average |
| 1968 | The Boston Strangler | Sound | Sound | 61 Fair |
| 1968 | Pretty Poison | Sound | Sound | 60 Fair |
| 1968 | Bandolero! | Sound | Sound | 59 Average |
| 1968 | The Detective | Sound | Sound | 59 Average |
| 1968 | Planet of the Apes | Sound | Sound | 73 Good |
| 1967 | Valley of the Dolls | Sound | Sound | 59 Average |
| 1967 | Tony Rome | Sound | Sound | 59 Average |
| 1967 | The St. Valentine's Day Massacre | Sound | Sound | 59 Average |
| 1967 | In Like Flint | Sound | Sound Designer | 59 Average |
| 1966 | Way... Way Out | Sound | Sound | 58 Average |
| 1966 | Fantastic Voyage | Sound | Sound | 62 Fair |
| 1966 | How to Steal a Million | Sound | Sound | 67 Fair |
| 1965 | Morituri | Sound | Sound | 60 Fair |
| 1958 | Showdown at Boot Hill | Sound | Sound | 58 Average |