About
Eduard Tisse
Overview
Eduard Tisse (13 April 1897 – 18 November 1961) was a Soviet cinematographer. In 1921, Tisse became a professor at Gerasimov Institute of Cinematography. His career took off when he worked with director Sergei Eisenstein on the film Strike. Tisse would become Eisenstein's standard cinematographer for the next twenty years.
Known for
Acting |
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| 2017 | Seeking Tisse | Actor | Self (archival footage) | N/A N/A |
| 1998 | Sergei Eisenstein: Mexican Fantasy | Actor | Himself | 59 Average |
| 1958 | Sergei Eisenstein | Actor | Himself (archive footage) | N/A N/A |
| 1928 | October (Ten Days that Shook the World) | Actor | German Soldier | 61 Fair |
Directing |
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| 1956 | The Immortal Garrison | Directing | Director | 58 Average |
| 1933 | Moskva–Karakum–Moskva | Directing | Director | N/A N/A |
| 1930 | Misery and Fortune of Woman | Directing | Director | 59 Average |
Writing |
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| 1931 | The Disaster in Oaxaca | Writing | Writer | 58 Average |
Camera |
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| 1998 | Sergei Eisenstein: Mexican Fantasy | Camera | Director of Photography | 59 Average |
| 1979 | Que Viva Mexico! | Camera | Director of Photography | 59 Average |
| 1972 | Listen, on the other side | Camera | Camera Operator | N/A N/A |
| 1958 | Ivan the Terrible, Part II: The Boyars' Plot | Camera | Director of Photography | 62 Fair |
| 1958 | Lenin Is Alive | Camera | Camera Operator | 59 Average |
| 1952 | Man of Music | Camera | Director of Photography | 58 Average |
| 1949 | Meeting on the Elbe | Camera | Director of Photography | 58 Average |
| 1948 | Mājup ar uzvaru | Camera | Director of Photography | 59 Average |
| 1946 | In the Mountains of Yugoslavia | Camera | Director of Photography | 58 Average |
| 1944 | Ivan the Terrible, Part I | Camera | Director of Photography | 62 Fair |
| 1940 | Time in the Sun | Camera | Director of Photography | 59 Average |
| 1938 | Alexander Nevsky | Camera | Director of Photography | 62 Fair |
| 1934 | Death Day | Camera | Director of Photography | 59 Average |
| 1933 | Thunder Over Mexico | Camera | Director of Photography | 58 Average |
| 1931 | The Disaster in Oaxaca | Camera | Director of Photography | 58 Average |
| 1930 | Sentimental Romance | Camera | Director of Photography | 59 Average |
| 1930 | Misery and Fortune of Woman | Camera | Director of Photography | 59 Average |
| 1929 | The General Line | Camera | Director of Photography | 59 Average |
| 1929 | The Storming of La Sarraz | Camera | Director of Photography | N/A N/A |
| 1928 | October (Ten Days that Shook the World) | Camera | Director of Photography | 61 Fair |
| 1925 | Battleship Potemkin | Camera | Director of Photography | 70 Good |
| 1925 | Jewish Luck | Camera | Director of Photography | 59 Average |
| 1925 | Strike | Camera | Director of Photography | 63 Fair |
| 1925 | Kino-Pravda No. 21: Lenin Kino-Pravda. A Film Poem About Lenin | Camera | Director of Photography | 58 Average |
| 1925 | The Bear's Wedding | Camera | Director of Photography | 58 Average |
| 1921 | Sickle and Hammer | Camera | Director of Photography | N/A N/A |
Editing |
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| 1935 | Aerograd | Editing | Editor | 58 Average |
| 1930 | Misery and Fortune of Woman | Editing | Editor | 59 Average |