About
Anne Le Campion
Overview
No biography available
Known for
Sound |
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2016 | Miss Sloane | Sound | Sound Recordist | 70 Good |
2016 | On the Milky Road | Sound | Sound Recordist | 60 Fair |
2014 | To Life | Sound | Sound Recordist | 58 Average |
2013 | The Past | Sound | Sound Recordist | 66 Fair |
2010 | The Other Dumas | Sound | Dialogue Editor | 59 Average |
2005 | Vive la vie | Sound | Sound Mixer | 58 Average |
2003 | Small Cuts | Sound | Sound Re-Recording Mixer | 59 Average |
2002 | The Transporter | Sound | Foley Mixer | 66 Fair |
2002 | The Transporter | Sound | Foley Recordist | 66 Fair |
2002 | The Pianist | Sound | Sound Mixer | 82 Very good |
2002 | Femme Fatale | Sound | Sound Mixer | 60 Fair |
2002 | Like An Airplane | Sound | Sound | 58 Average |
2001 | Mademoiselle | Sound | Sound Mixer | 59 Average |
1999 | The Ninth Gate | Sound | Sound Re-Recording Mixer | 64 Fair |
1999 | Venus Beauty Institute | Sound | Sound Re-Recording Mixer | 58 Average |
1995 | Les Milles | Sound | Sound Re-Recording Mixer | 58 Average |
1994 | Hammers Over the Anvil | Sound | ADR Recordist | 58 Average |
1994 | Death and the Maiden | Sound | Sound Re-Recording Mixer | 64 Fair |
1992 | The Accompanist | Sound | Sound Mixer | 59 Average |
1990 | No, or the Vain Glory of Command | Sound | Sound Mixer | 59 Average |
1988 | Faceless | Sound | Sound Recordist | 58 Average |