About
W. Wallace Kelley
Overview
No biography available
Known for
Camera |
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| 1970 | Which Way to the Front? | Camera | Director of Photography | 58 Average |
| 1970 | Watermelon Man | Camera | Director of Photography | 59 Average |
| 1969 | Marooned | Camera | Second Unit Director of Photography | 58 Average |
| 1969 | The Comic | Camera | Director of Photography | 59 Average |
| 1969 | Hook, Line and Sinker | Camera | Director of Photography | 58 Average |
| 1968 | Day of the Evil Gun | Camera | Director of Photography | 59 Average |
| 1967 | The Big Mouth | Camera | Director of Photography | 58 Average |
| 1967 | Red Tomahawk | Camera | Director of Photography | 58 Average |
| 1966 | Paradise, Hawaiian Style | Camera | Director of Photography | 58 Average |
| 1966 | Three on a Couch | Camera | Director of Photography | 58 Average |
| 1965 | Apache Uprising | Camera | Director of Photography | 59 Average |
| 1965 | Town Tamer | Camera | Director of Photography | 59 Average |
| 1965 | The Family Jewels | Camera | Director of Photography | 59 Average |
| 1964 | The Disorderly Orderly | Camera | Director of Photography | 59 Average |
| 1964 | The Patsy | Camera | Director of Photography | 59 Average |
| 1963 | Who's Minding the Store? | Camera | Director of Photography | 60 Fair |
| 1963 | The Nutty Professor | Camera | Director of Photography | 61 Fair |
| 1962 | It's Only Money | Camera | Director of Photography | 59 Average |
| 1961 | The Errand Boy | Camera | Director of Photography | 59 Average |
| 1961 | Blue Hawaii | Camera | Second Unit Director of Photography | 58 Average |
| 1961 | The Ladies Man | Camera | Director of Photography | 59 Average |
| 1961 | One-Eyed Jacks | Camera | Second Unit Director of Photography | 61 Fair |
| 1961 | Look in Any Window | Camera | Director of Photography | 59 Average |
| 1959 | But Not for Me | Camera | Second Unit Director of Photography | 59 Average |
| 1959 | The Five Pennies | Camera | Second Unit Director of Photography | 59 Average |
| 1959 | The Trap | Camera | Second Unit Director of Photography | 59 Average |
| 1957 | Beau James | Camera | Second Unit Director of Photography | 59 Average |
| 1956 | Hollywood or Bust | Camera | Second Unit Director of Photography | 59 Average |
| 1956 | The Ten Commandments | Camera | Additional Photography | 73 Good |
| 1956 | Pardners | Camera | Second Unit Director of Photography | 59 Average |
| 1955 | To Catch a Thief | Camera | Second Unit Director of Photography | 69 Fair |
| 1954 | Living It Up | Camera | Second Unit Director of Photography | 59 Average |
| 1954 | Jivaro | Camera | Second Unit Director of Photography | 58 Average |
| 1953 | Those Redheads from Seattle | Camera | Second Unit Director of Photography | 58 Average |
| 1953 | Sangaree | Camera | Director of Photography | 59 Average |
| 1952 | The Greatest Show on Earth | Camera | Additional Photography | 60 Fair |
| 1950 | Branded | Camera | Director of Photography | 58 Average |
Crew |
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| 1945 | A Medal for Benny | Crew | Special Effects Assistant | 58 Average |
Visual Effects |
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| 1958 | Vertigo | Visual Effects | Visual Effects | 80 Very good |
| 1953 | The War of the Worlds | Visual Effects | Visual Effects | 63 Fair |
| 1952 | Something to Live For | Visual Effects | Visual Effects | 59 Average |
| 1945 | Bring on the Girls | Visual Effects | Visual Effects Production Assistant | 59 Average |