About
Daniela Cajías
Overview
Born in La Paz, Bolivia in 1981, Cajías studied at the Escuela de Cine y Artes Audiovisuales (ECA) and at Cuba’s San Antonio de los Baños’ International School of Film and Television. Back in Bolivia she worked in the cinematography of Hospital obrero (2009) by Germán Monje, Amarillo (2009) by Sergio Bastani and Los viejos (2011) by Martin Boulocq.
Known for
Directing |
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| 2020 | Mulher como Árvore | Directing | Director | N/A N/A |
Camera |
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| 2024 | Mambembe | Camera | Director of Photography | N/A N/A |
| 2024 | Glimmers | Camera | Director of Photography | 58 Average |
| 2022 | I Am Vertical But I Would Rather Be Horizontal | Camera | Director of Photography | 59 Average |
| 2022 | Alcarràs | Camera | Director of Photography | 61 Fair |
| 2021 | Coda | Camera | Director of Photography | N/A N/A |
| 2021 | Instructions for Su | Camera | Director of Photography | 61 Fair |
| 2020 | Schoolgirls | Camera | Director of Photography | 60 Fair |
| 2020 | Mulher como Árvore | Camera | Director of Photography | N/A N/A |
| 2017 | Two Irenes | Camera | Director of Photography | 59 Average |
| 2015 | The Discreet Charm of a Champion | Camera | Director of Photography | N/A N/A |
| 2011 | There Is Joy Today | Camera | Director of Photography | N/A N/A |
| 2011 | There Is Joy Today | Camera | Camera Operator | N/A N/A |
| 2007 | How to Build a Boat | Camera | Director of Photography | N/A N/A |