About
Tomoyuki Shitaya
Overview
He started working at Studio Deen, where he made his debut as animator in an episode of Dai Guard. After leaving Deen he became freelance and works mainly on productions for J.C.Staff but also on some titles for Bones, Gonzo and Feel. He is particularly renowned as bishoujo animator, since he tends to pay attention to detailed character appearance and traits for girls, as well as providing his characters cute and bashful gestures.
Known for
Visual Effects |
||||
2024 | 2.5 Dimensional Seduction | Visual Effects | Character Designer | 75 Good |
2023 | The Vexations of a Shut-In Vampire Princess | Visual Effects | Character Designer | 70 Good |
2023 | Atelier Ryza: Ever Darkness & the Secret Hideout the Animation | Visual Effects | Character Designer | 69 Fair |
2021 | Blue Period | Visual Effects | Character Designer | 69 Fair |
2020 | If My Favorite Pop Idol Made It to the Budokan, I Would Die | Visual Effects | Character Designer | 71 Good |
2019 | Afterlost | Visual Effects | Character Designer | 67 Fair |
2012 | Absolute Whiteness: Magical Girl | Visual Effects | Character Designer | 59 Average |
2010 | KissXSis | Visual Effects | Character Designer | 64 Fair |
2009 | Hatsukoi Limited. | Visual Effects | Character Designer | 70 Good |
2006 | Welcome to the N.H.K. | Visual Effects | Supervising Animation Director | 80 Very good |