About
Jamie Barber
Overview
No biography available
Known for
Camera |
||||
| 2018 | The Row | Camera | Director of Photography | 57 Average |
| 2017 | NY Prison Break: The Seduction of Joyce Mitchell | Camera | Director of Photography | 59 Average |
| 2012 | Blue-Eyed Butcher | Camera | Director of Photography | 58 Average |
| 2011 | Justice for Natalee Holloway | Camera | Director of Photography | 58 Average |
| 2008 | Bait Shop | Camera | Director of Photography | 58 Average |
| 2003 | Master and Commander: The Far Side of the World | Camera | Camera Operator | 70 Good |
| 2003 | The Hunted | Camera | Camera Operator | 60 Fair |
| 1999 | The Haunting | Camera | First Assistant Camera | 56 Average |
| 1998 | Hope Floats | Camera | First Assistant "A" Camera | 60 Fair |
| 1996 | Space Jam | Camera | First Assistant Camera | 67 Fair |
| 1993 | Demolition Man | Camera | First Assistant Camera | 66 Fair |
| 1993 | Rising Sun | Camera | First Assistant Camera | 60 Fair |
| 1992 | Diggstown | Camera | First Assistant "B" Camera | 59 Average |
| 1992 | Big Girls Don't Cry... They Get Even | Camera | First Assistant Camera | 59 Average |
| 1991 | Doc Hollywood | Camera | First Assistant Camera | 61 Fair |
| 1989 | Next of Kin | Camera | Second Assistant Camera | 58 Average |
Crew |
||||
| 2017 | Person to Person | Crew | Set Production Assistant | 58 Average |