CinemaLover

Have you ever watched a film while multi-tasking? Well if you have, you should do it again but this time put on Ocean's Thirteen. I would not describe myself as a fan of the Oceans' movies but I have pretty much enjoyed all of them. In light of that though this is the worst one of the series.

The movie is very well acted in that it appears the whole cast has fun with the material from top to bottom. That does not make it a good film though it just makes it a nice to get together. One thing I could say though was this time around I actually noticed Casey Affleck because of his recent breakout performances in other films. So with that, he and Al Pacino just adds to the fun of watching all the great actors and stars in the film. The script is very witty at times and did have me chuckle more often then not. What was missing though were the star actresses. Tangle in all the fun of a crazy scheme to rob a casino, gambling and just Las Vegas is the women. It would have been great to see Julia Roberts or Catherina Zeta Jones or even both back for the film. Instead we had to settle with Ellen Barkin who has not nearly as an impressive career or persona as her counterparts.

As the rest of the series this film really is not too thought provoking or deep. It won't inspire you to do something so honestly it won't be too necessary to focus all your thoughts on this film. This is an entertaining film considering George Clooney, Brad Pitt, Matt Damon, Al Pacino, Don Cheadle, Bernie Mac and Casey Affleck are in it but yet it isn't as well made or enjoyable as its predecessors.

Terminator Salvation was actually a movie I was looking forward to see. Then I read who the director was, McG and I dropped any idea of this movie being spectacular on any level. Still that left me hope of some mediocrity and a clichéd but yet for the most part fun ride. Well trust me you will get all of that except the fun or even the ride, and that was me in the movie theatres.

The film was hardly ever engaging, yet they were some great elements to the film. Such as the visual and sound effects along with the music, that is probably about it. Then came all the problems, and the most glaring one was Christian Bale. Not only was he a disappointment but he wasn't did not even give the best performance in the film nor even the second best. His performance was incredibly dry in a way that you would have never thought the character he was playing, John Connor, had made his first appearance in a film. Of course this is not true with the first three Terminator films but Bale in no way makes you think the latter instead. With Bale setting the bar so low it was a surprise to actually see Sam Worthington, a virtual unknown to most, have a some what fascinating performance as well as that of Anton Yelchin. Even with these characters do we ever get the feeling of caring about them? That answer is an easy not. There was an opportunity to possibly do so but as the movie winded down, more screen time was given to the "star" in Christian Bale and the film was at the point were wouldn't careless about what really happens to him.

If you have seen any of McG's movies you will know from the opening minutes this film follows along the same sort of line as his past films. During moments of his movies you wonder if you're even watching the same movie you started out with and that is by no means a good thing. Its as if scenes are stolen straight out of other movies that have been successful and rolled together to make a movie that barely surpasses that of cable TV movie that would premiere at 3 am. Even with that his movies usually have some sort of a point, no matter how corny or clichéd the ride was to take us there.

So who is to blame then? That only leaves the screenwriters left who I bare no compassion for, mind you these are the same pair of writers that brought us Catwoman. Michael Ferris and John D. Brancato are their names and considering their extended history of mostly co-screen writing movies this shouldn't come as much as a surprise. If there is anyone looking for salvation, it is not the humans of John Connor's world but the screenwriters of our world that helped create this.

Obviously I would not recommend this debacle of a film. Nevertheless there is still something to take out of this film; before ever watching a film, don't look at the cast, not even the director (which if you remember was the mistake I made), at least not at first. Make sure you take a peak at who the writer is even if it is an action film. This is assuming you are interested in seeing a movie that has something which is at least on the verge of containing a real plot or on the realm being a credible film.

To me The Conversation is one of most underrated movies ever. The movie carries on so quietly throughout that the suspense of the movie keeps on building up to one of the best endings in movie history.

The directing of this film was among one of the best I have ever seen. Coppola is able to craft his way through another one of his classics. The movie is just perfectly edited together and is so gripping throughout. His directing really takes the audiene to another world that most to almost all of us do not know about. That world is the world of security surveillance and spies. This though is not an ordinary spy movie, it is a very realistic psychological portrayal and the affects of knowing the real truth. Instead of this movie becoming a complete flop it becomes better and better as it carries on. Along with the cinematography and music he makes the audience feel how remote and controlled our society is. Coppola did not just show it he gave you the actual feeling of it. Coppola deserves much of the credit for this.

The writing was very good too. Once again Coppola uses his writing to keep the audience very much engaged into the movie. The writing in this movie ranks up their with his other screenplays such as The Godfather series, Apocalypse Now and Patton.

The acting was a bit of surprise to me. It was better than I expected. This film convinced me that Gene Hackman is prime talent. He is not just a man who plays the man always involved in a shouting match but in fact he is a versatile actor who has really limited himself rather than his abilities limiting him. He was perfect for this movie. The supporting cast was great as well. Robert Duvall who always gives the best cameos was good in here too. Harrison Ford who I wish actually had some more screen time was very convincing as a manipulative high ranking executive.

The ending in this movie to me is one of the best ever. It shows how or fears can consume us and alter our live. It displays how if our fears consume us we lose the feeling of life itself. That is at least my take of it. This is Coppola's hidden masterpiece that should be seen by all. It will definitely make you think.

Full Metal Jacket is considered by many to be a great movie. I am not one of those many. In fact I believe quite the opposite. I think this film is not only terrible but repulsive in countless ways. It attempts to show the horrors of war but does nothing but trivialize them. Also what exactly is the message of this movie? That war is bad? Well if thats what the message it certainly isn't something new. Of course then this movie has to make up in what lacks in an original message with some sort of creativity and stylistic features. In this way the film fails horribly.

The acting of many of the relatively unknown actors is at best average. No actor stands out except for that of Vincent D'Onorfio who makes his exit less than half way through the film. The directing and writing of the film is absolutely horrible with the first half of the film used as a build up to a flat second half. Its almost as if the film is actually two separate ones: an average one and a disgraceful one. In the basic training sequences which takes up most of the first half of the film comes off as more hilarious then a brutal depiction of man being forcibly turned into machine. In the 2nd half of the film many of the sets made it too obvious that it was exactly that; a set. They were unconvincing with a lack of a realistic touch and screen shots out of a TV movie.

As the movie wore on the lack of attention to detail became quite apparent leaving much to be desired. The "tough" characters came off as cheesy as everything seemed to just collapse within itself. The dialog in the movie felt useless and inconsistent with what was happening with in the film. By the end I didn't even care what was taking place. There were no character motivations and scenes became very predictable. Compared to the many classics made about Vietnam this one doesn't even come close.

This has got to be one of my favorite westerns. It has everything you could possibly want for every movie fan. They're so many great aspect and I will attempt to display some of them.

The acting, what can I say about it. It was a perfect fit for Redford and Newman who are both friends in the movie and real life. They deliver exhilarating, funny and electrifying performance. It is so great I can't even put it into words. These two actors were robbed of an at least an Oscar nomination. It has to be the biggest Oscar snub ever. Watching this movie my only wish is that Redford and Newman would have done more movies together.

The writing was great and creative. I have never witnessed a movie that was so serious and yet so funny. The writing totally propelled this movie forward. The fact that Butch and Sundance went to Bolivia trying to outrun the law was hilarious. This has got to be some of the best writing ever.

The directing by George Roy Hill was as well amazing displaying the chase scenes and just sitting back and letting the writing and directing take over. But most of all he let Robert Redford and Paul Newman do their thing. You could see that they were both feeding off each other and George Roy Hill never seemed to interrupt their chemistry.

I would advise anyone and everyone to watch this. They are just so many laughs, many fun action scenes and of course Paul Newman and Robert Redford.

This quote is one of the most shocking and yet truthful quotes I have ever heard. It is one of many shocking and intense quotes in the movie. Furthermore Judgment at Nuremburg is one of the most absorbing movies I have seen. Even though most if not all of it is dialog it is very much a haunting film. This film is loosely based on the trials in Nuremburg in 1948. Right from the start the movie captures your mind and never lets it go.

The acting was collectively amazing. One of the best casts ever assembled which included Spencer Tracy, Montgomery Clift, Judy Garland, Richard Widmark, Burt Lancaster as well as international stars Maximilian Schell and Marlene Dietrich. It is not just the fact that this is a star studded cast that made it so great, it was the way everyone appeared to blend in together. Maximilian Schell gave the performance of his life in this film playing the defense lawyer for Burt Lancaster who give two superb narratives that will certainly stay in your mind forever. Schell's character use of logic is that of something which will mesmerize use you whether or not you agree or disagree with what he says. Richard Widmark playing the prosecutor gave the type of supporting performance that was necessary for Schell to shine. The way both actors fed off each other was a joy to watch. Then of course the tiny appearances of Garland and Clift were excellent and worth every second they spent on camera. I usually find myself frustrated with cameos and actors receiving recognition for them but this film used cameos the best way I have ever seen. Then of course Spencer Tracy and Marlene Dietrich provided such great presence were perfect for the lead.

The direction of Stanley Kramer was spectacular as the film intensified more and more as it wore on. It was always engrossing and never let up. The writing of Abby Mann was great, filled up with great material and narratives allowing every actor in the cast to give a superb performance. There were many memorable quotes as well. The writing carried the film forward and allowed all the potential and talent to push this film to another level.

Judgement at Nuremburg is not just another movie. It is a very thought provoking movie. More than that though it is haunting. Just thinking about the course of the events being talked about in the movie became subtly haunting in a way I really didn't expect. What was the most compelling though was the way we need to separate what we feel with what has to be truly done, with what is truly right.

M is a monumental film and seriously should be watched by all. For a film like this to be made in 1931 is just shocking. Even if the film was released today it would still be nothing like we have seen before. In our modern age of film making there has been a considerable rise in the production of films about serial killers, their complexities and particularly about pathological ones. Yet, M is the first movie that comes to my mind when I think of the themes that have been in Psycho, Silence of the Lambs, Seven and not to mention countless more.

The film is lead by Peter Lorre in a transcending performance who plays the serial killer and rapist in which the film is centered around. In this performance Lorre is successful in something that at the very least is rare to see in any kind of film, compassion for a child killer and rapist. Lorre makes the viewer see, that he is not a criminal by choice but by a sickness of compulsion. Too often then not is our perception of a psychotic killer having that look that puts fear into his or hers victims' eyes. Lorre doesn't do that but rather displays a frightened man, a scared man. One in which his desperation leads to his hazardous behavior. His portrayal of a killer is not of a fearless one but of one consumed by fear. Something that even today we as a people cannot understand, let alone in 1931.

The direction and writing of Fritz Lang is beyond comprehensible as he taps into the mind of a serial killer and his complexities. He does so in such that we get an empathetic and compassionate illustration of all sides of the story. This in which by then end of the film all points of view are more then well delivered to the audience. Fritz Lang here, has simply created here a timeless masterpiece. One that excels in its technical aspects and enlightens the audience on a topic that other films still have not yet to match M in.

I highly recommend this film for many obvious reasons and conclusions. This film was created by one of the all time great directors in Fritz Lang, Lang's command for the screen is mesmerizing and a joy to witness and so on and so forth. Yet much of this is mostly superficial and a waste of time to continuously state. M, as I mentioned before takes a strong and original stance on an issue that we as a society yet have not fully resolved. This film may not give you THE answer on this issue but it may sway that moral compass of yours that lies inside of all of us.

Toy Story is the film that started Pixar Animated Studios into its long string of never ending success. What Pixar does is not just absorb the younger demographic and keep the older ones mildly entertained. It completely absorbs everyone watching no matter the age or the level of maturity, films of Pixar, starting from Toy Story, have kept a certain magical touch around it with an unexpected amount of depth. Everyone as a child imagines their toys will come alive and go on their own adventures. One of the great things Pixar does is that it does not attract audiences with its overloaded superstar casts but rather with its material. The only superstar here is Tom Hanks and Tim Allen is the next most aforementioned voice over. Unlike what most people think their is an actually a method to casting for animated films as there is to a live-action one. As a result of this Pixar stays faithful to its material and creates a great genuine and warm feeling around the film and its characters.

I am not one to warm up to movies centered around themes such as this film. This is not because the idea of adults finding their inner child is ridiculous or immature to me. Its a result of films facing that theme also face a very big challenge on managing to correctly portray a transformation of an adult by children. Also if it actually extremely benefits the adult character in many profound ways. Most of the times films never succeed at this and are done so irresponsibly promoting dangerous styles of living that could be just as hurtful to others around us. Now the major question that is posed then, is why does this film succeed where others do not? What makes this film so precise yet so open?

With Johnny Depp as the lead character, James Matthew Barrie, you know he will be ideal for the role of someone inspired by creativity considering the unique feeling Depp can bring to any film. At the outset of the Finding Neverland, Depp's character is in dire straits to not only find himself as a writer but flat out just find himself. Eventually he does succeed at both through the help of three children he befriends whose mother, played by Kate Winslet, is ill. Depp discovers what he had long been missing, imagination and open mindedness. The children bring him that which is throughout is so wonderfully conveyed. His new lifestyle in no way endangers the people around him rather it enables his decisions to be more enlightened and thought out. Yet it still brings him into question. The cast is filled with talent ranging from of course Depp and Winslet as well to Julie Christie and Dustin Hoffman. What the cast does not just play their characters, their characters are embodied by them all the way down to the performances of the kids.

Marc Foster takes on this challenge of an adult searching for himself with complete success. The writing and dialog is always engaging as well as the music and all the other technical aspects that go into making a movie. Still, remains the question what sets this film apart from others that attempted to be like it? Unlike other films this film is centered around youth equaling imagination and creativity. Not always is it a must to abide by the rules, maybe not the rule of law but the unwritten rules of being an adult, being a writer or any other sort of unwritten or written rule relating to anything. Nonetheless this must be done at a responsible and safe level which this film never fails to display. These rules can limit our creativity which limits the capabilities of our mind and ultimately drastically decreases the chances at happiness on any pure or genuine level.

Too often is youth simply associated with fun, stupidity and meaningless entertainment. It never falls into that trap. What this film shows is that we make meaning of our lives and this should start from our youth but not dissolve as our lives become further complex and self contradictory. Depp shows with his reclaimed youthfulness his life can only go up as does his happiness yet this is unjustifiably rejected by "responsible", "sensible" and "mature" adults. Depp's characters knows they are wrong through his writing and newfound appreciation of life but more importantly the people close to Depp know it and can see it to be true. In this way though, Finding Neverland may give us the key clue on how to find ourself.

If you really look at this movie from a certain perspective this really is not that good. Yet Charlton Heston some how makes this into one of best sci-fi films ever.

Charlton Heston provided something that most actors don't have. He has that look into the camera that can just describe so many things about his character and portrayal. He has that action hero look yet he is by all accounts a great actor. That is why when he just looks into the camera you get a powerful sense of what is happening on the screen. Heston actually is able to portray a man put into slavery by apes. Somehow though it works.

Combined with Schaffner's directing abilities Heston and him were able to really take this movie to another level. Other than the costumes of the apes, even though they were pretty impressive for that time, everything looked very realistic allowing you to really get into the movie. That quality alone of this movie separates this between the ordinary sci-fi movies. It even has a plot. It is something we are all familiar with. A person fighting for their freedom and survival. Like everything else in this film the plot was also taken to another level. The ending was not cheap either it was a bit of a surprise and was really something I won't forget. It was one of those moments in movies you won't forget. This is a true classic.

If you have seen any other Heston movies you just know that he is the king of sci-fi and transforms almost every single one of them, especially this one, into an unforgettable classic.