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Virgil Widrich compiles film excerpts from the 1950s and 1960s and translates the resulting remix of images through multiple projections on mirror and canvas constructions into a handbuilt three-dimensionality. The visual levels collide (physically), and dream and reality superimpose and dissolve: an audiovisual hall of mirrors in ragingly beautiful black-and-white.
Back Track
January 1, 2015
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Virgil Widrich
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