Fragment nul uur nul
Fragment nul uur nul chimes with the tune of such a symphony, yet plays eclectically with form and image. A hidden gem, it was originally conceived as a backdrop to a theatre play and offers, if you will, a form of expanded theatre/cinema. The Filmliga protagonists‘ practice to cut up films as they seemed fit, or to show only fragments and loose ends to support their aesthetic preferences, is reflected here.
Fragment nul uur nul
March 1, 1928
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