Writes Seoungho Cho: "The sea horizons which I observe through time lapsed video recordings were a constant mutation with recondite colors between the water and air. I depicted this space as light, shadow, colors, shapes and lines as interpretative horizons. Each line with its own intrinsic 'intuition' metamorphoses my perception, exploring how all these personal, inner experiences, both illusionary and tactile, shift and transform into a visual poem. The specific embodiments of the relationship between the images I recorded, and their impact on me, I push my images of it to the edge of abstraction, the result akin to 'hard edge' or 'soft edge' painting."