Senza Seguito Senza Seguito
The film portrays the political environment between the end of the '60s and the beginning of the '70s in Italy. Images of a wandering young girl are alternated with those of a man's corpse in front of an industrial landscape. The man's corpse is a metaphor of the worker forced to work dehumanizing hours. The girl, on the other hand, is the symbol of innocence. This is Luginbühl's accusation directed at a passive and powerless society. However, hope is represented in the final sequences, where Luginbühl's child, Cecilia, is shown as the embodiment of future generations.
Senza Seguito Senza Seguito
April 7, 1969
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