Rachel wrestles with the potentially relationship-wrecking pitfalls of getting everything you want - particularly when truth is number one on the wish-list.
Guilt-ridden about invading Coby's private garage space, Rachel compounds her sin by inadvertently offering his artwork as part of an advertising campaign. Under the pump from pushy boss Paul (MARTIN LYNES), Rachel is forced to admit to Coby the truth - she's seen his art. Feeling betrayed, Coby immediately sets about destroying it as Rachel understands how deeply she's hurt him. Hiding his hurt behind forced party-mode, Coby organises an impromptu birthday bash for himself, inviting the Rafter regulars and his bogan mates from Coolong and generally regressing all around. But Rachel suspects Coby's act is actually a mask for his pain. Will she ever be able to regain his trust again?
Rachel's also having honesty issues with Jake, who's being vague about his reasons for quitting rugby. Things come to a head at Coby's party, when the police come to take Jake away for questioning. Upon his return, Jake reveals he's been charged with attempted sexual assault, strongly asserting his innocence. Rachel is reeling. Why would Jake have kept the dramatic events of his rugby weekend a secret so long? And how can their relationship survive such a grievous breach of trust?
Meanwhile, Carbo and Retta continue to suffer as Rita (DINA PANOZZO) descends further into loneliness, driving her neighbours mad with dirge-like Greek folk music. Nathan can't bear it, spending the majority of his time complaining to Dave and Julie about his living conditions. At wit's end, Retta turns to Julie for advice, unwittingly sending Rita on a brief foray into the world of internet dating - much to Carbo's horror. Eventually a heart to heart with Julie helps Rita move beyond her impasse and relative peace returns to the Karandonis house.
A vacancy at the local child care centre sends Ruby's baby-sitters Ben and Ted into a spin, and they become locked in a comic competition to prove their baby-sitting worth. Julie's torn, and Dave reminds his wife she's always wanted more time on their hands - but is this another case of being 'careful what you wish for...'?