Jill is shocked by the austerity of life in the drought-stricken area, and is sensitive to every sign of distress and decline. From the bruise on Gail Klein's cheek to Kate's attempt to exclude her from Tom Huppatz's father's funeral, Jill senses there is much amiss in this place, and it goes far beyond the lack of rain.

Neither Kate nor the local farmers seem willing to admit to their dire position and a government sponsored drought relief workshop comes as an unwelcome reminder of their plight, rather than an offer of hope.

Meanwhile, for those who can no longer live on the land, the very real choice to die on it lurks in the shadow of debt. Sketchy information about the premature death of Kate's husband, and its effect on her, is another puzzle for Jill to solve.

The sheep disease, which should be reported to the authorities, causes more tension between Jill and Kate. Tom Huppatz's distress at learning he won't inherit the family farm is nothing compared to Fred Klein's tipping over the edge as everything he knows and holds dear is stripped away from him. Kate's handling of these issues - the first infuriating, the second with all the gentle brutality of a mercy killing - leaves Jill awe-struck but wondering if she can ever really fit in.